王维诗作隐逸类典故研究

发布时间：2018-04-24 23:34

本文选题：王维 + 隐逸　；参考：《曲阜师范大学》2017年硕士论文

【摘要】：王维是我国盛唐时代最著名的诗人之一,有“诗佛”之称。本文以王维诗歌中的隐逸类典故为研究对象,通过对诗作中化用的隐逸类典故进行详细探源,从而细致考察王维诗歌的用典特色和深度剖析王维的隐逸思想。本文由绪论和四个章节构成。绪论部分主要阐述选题的理由及意义,概括王维诗作中隐逸类典故的研究现状,对用典这一修辞进行简单说明及对隐逸类典故的入选标准进行界定,并对王维诗作中的隐逸类典故运用《四库全书》经史子集的分类标准进行简单梳理。第一章是对王维诗作隐逸类典故中的事典进行考察。根据事典中涉及的隐士,将隐士大致分为以下三种类型:“有见于几先”的全身适性之隐、独善其身的撤退之隐、求遂其志的蛰伏之隐。通过分析隐逸类典故中所涉及的隐士类型,研究其与王维不同隐逸阶段的契合之处。第二章是对王维诗作隐逸类典故中的语典进行考察。主要包括对“诗骚”和诸子散文语典的化用、对史书语典的化用及前代诗文语典的化用三个部分,分析王维对前代诗文作品的继承和创新,从而对其知识构成以及诗歌的艺术渊源进行探究。第三章探究王维诗作中隐逸类典故所体现的思想特色。分为诗作中隐逸典故所体现的“无可无不可”的儒家思想特色、“无为”“自然”的道家思想特色、“空”“寂”的佛家思想特色三个部分,从用典的角度探究王维不同人生阶段的思想倾向,体现其思想的兼容并包性,及儒道佛思想对其半官半仕的隐逸模式的影响。第四章分析王维诗作中隐逸类典故的用典特色。主要从手法和典面两个角度探究。手法包括明引暗用相结合和正用反用相结合两部分,典面包括事典典面分析和语典典面分析两部分。通过用典这一角度分析王维隐逸思想的流变及其诗歌知识构成,为王维研究提供了一个新的视角,对全面深刻地研究王维具有非常重要的意义。
[Abstract]:Wang Wei is one of the most famous poets in the Tang Dynasty. This article takes the recluse allusion in Wang Wei's poetry as the research object, through the detailed exploration of the reclusive allusion used in the poetry works, and then makes a careful investigation of the characteristics and the depth of Wang Wei's seclusion thought. This paper consists of an introduction and four chapters. The introduction part mainly elaborates the reason and significance of the topic, generalizes the current situation of the study of the recluse allusion in Wang Wei's poems, and gives a simple explanation of the rhetoric of the use of the allusions and defines the criteria for the selection of the hermit allusions. And the hermit allusions in Wang Wei's poems are simply sorted out by the classification standard of the subsets of classics and history. The first chapter is to investigate the classic in the recluse allusions of Wang Wei's poems. According to the hermit involved in the book, the hermit can be divided into the following three types: "there is a few prior" of the whole body suitable for the hidden, the withdrawal of the hiding, so as to achieve the dormancy of his hidden spirit. By analyzing the types of hermit involved in hermit allusions, this paper studies the coincidence between hermit and Wang Wei in different reclusive stages. The second chapter is the study of the lexicon in the recluse allusions of Wang Wei's poems. It mainly consists of three parts: the translation of "Shi Sao" and the prose of various scholars, the conversion of historical books and the use of the former poetry and prose, and the analysis of Wang Wei's inheritance and innovation of the previous poetry and prose. In order to explore the composition of its knowledge and the artistic origin of poetry. The third chapter explores the ideological characteristics of the reclusive allusions in Wang Wei's poems. It is divided into three parts: the characteristics of Confucianism, the Taoism characteristic of "inaction" and "nature", and the characteristics of Buddhism thought of "empty" and "silence", which are embodied in the reclusive allusions of poetry. This paper probes into Wang Wei's ideological tendency in different stages of life from the angle of use of scripture, which reflects the inclusiveness of his thought, and the influence of Confucianism, Taoism and Buddhism on his seclusion mode of half official and half official. Chapter four analyzes the allusion characteristics of the hermit allusions in Wang Wei's poems. Mainly from the point of view of technique and classical surface. The method consists of two parts: the combination of explicit and dark use and the combination of positive and negative use, and the canonical surface includes two parts: the analysis of the canonical surface and the analysis of the canonical surface. This paper analyzes the evolution of Wang Wei's reclusive thought and the composition of his poetry knowledge from the angle of using the dictionary, which provides a new angle of view for the study of Wang Wei, and is of great significance to the comprehensive and profound study of Wang Wei.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.22

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