明中叶四川杨氏曲家群体研究

发布时间：2018-04-25 11:49

本文选题：明代散曲 + 四川杨氏　；参考：《四川师范大学》2017年硕士论文

【摘要】：明代正德(1506-1521)、嘉靖(1522-1566)年间,是明代散曲发展的鼎盛时期,不仅曲家曲作众多,成就巨大,且呈现出地域性或家族性的群体特征,以杨慎为代表的包括杨廷和、黄峨等在内的四川杨氏家族曲家群体正是其间最为独特的存在。一方面,与同一时期的关中、吴中、山东等地域性曲家群体相比,其独特性体现在成员构成、曲家身份、创作态度、创作形式等众多方面。另一方面,以区域性的散曲发展而言,杨氏家族及其相关曲家群体更是直接造就了此一时期蜀中散曲的繁荣,并代表了明代蜀中散曲发展的最高成就。本文在对杨廷和的散曲论析中,第一次将其创作按时间和内容分为四个不同阶段,并结合曲家自身性格、价值取向以及不同阶段的人生遭际和创作心态,对四个阶段的曲作进行详细论述和分析,希望能够以文补史,通过廷和曲作中所展现的曲家内心情感与心路历程而有补于史家们对“大礼议”事件的评议和争执。在对升庵部分的论述中,一方面从自明代以来针对其曲作的宫调、格律、抄袭等负面评议出发,以具体曲作为立足点,详细分析其格律、押韵情况,并结合相关文献记载,对诸评议作出尽量合理的解释和纠正。另一方面,则对其曲作进行题材内容分类并加以分析论述,同时,在分析曲作的基础上,结合前人研究,对其“俊而葩”的风格进一步论析。群体中的另一位重要曲家黄峨,则结合其家庭文化环境及生平分析其创作散曲的氛围、动机等,得出其散曲写作主要在于升庵的带动以及与对方的互动和寄和,同时结合众多学者的研究成果对其曲作重新进行甄别,并对甄别后的曲作进行分析,认为其散曲真实地反映了夫妻二人的情感互动以及情感发展变化,具有“以曲为史”的性质和意义。除此之外,本文还首次对与升庵相酬唱的《玲珑倡和集》相关曲家曲作进行分析和论述,考察其身份、创作形式、创作背景、创作心态等,试图揭示和阐论其成集的原因、曲体选择和该集的价值等相关问题。杨氏家族及其相关曲家群体皆是以余事为散曲,或政事经济之余、或著述宏业之余、或持家之余、或诗酒唱和之余,具有偶然性、随意性,甚至被动性。他们在正德嘉靖间异军突起、特征鲜明、成就卓著,却又后继难再,如孤月般高悬而寡应,特出于同时代其它地域性曲家群体、特出于整个明代曲坛。
[Abstract]:During the period of the Ming Dynasty's Zhengde (156-1521) and Jiajing (1522-1566), it was the heyday of the development of the Sanqu in the Ming Dynasty. It not only produced a great deal of qu music, but also showed regional or familial group characteristics, including Yang Tinghe, represented by Yang Shen. Huang e and so on Sichuan Yang family songwriter group is the most unique existence. On the one hand, compared with the Guanzhong, Wuzhong, Shandong and other regional songwriters in the same period, its uniqueness is embodied in many aspects, such as the composition of the members, the identity of the qu family, the attitude of creation, the form of creation, and so on. On the other hand, in terms of the regional development of Sanqu, the Yang family and its related songwriters directly created the prosperity of Shizhong Sanqu in this period, and represented the highest achievement of the development of Shizhong Sanqu in Ming Dynasty. In the analysis of Yang Tinghe's prose, this paper divides his creation into four different stages according to the time and content for the first time, and combines the qu's own character, value orientation, life encounter and creation mentality at different stages. The four stages of music are discussed and analyzed in detail in the hope that they can supplement the history with literature and supplement the comments and disputes of historians on the events of "Great Rite discussion" through the inner emotion and the course of the heart of the songwriters displayed in the court and in the works. In the discussion of the part of Shengan, on the one hand, starting from the negative comments on the palace tune, rhythm, plagiarism and so on since the Ming Dynasty, taking the concrete song as the foothold, detailed analysis of its rhythm and rhyme, and combining with the relevant literature records, The comments should be interpreted and corrected as reasonably as possible. On the other hand, it classifies and analyzes the subject matter of his works. At the same time, on the basis of the analysis of the works, combined with previous studies, the style of "handsome and flower" is further analyzed. Huang E, another important songwriter in the group, combined with his family culture environment and his life history to analyze the atmosphere and motivation of his creation of scattered songs, and came to the conclusion that his prose writing was mainly driven by Yu Shengan, as well as his interaction and correspondence with the other side. At the same time, combined with the research results of many scholars to re-screen his music, and to analyze the music after the screening, it is considered that the scattered songs truly reflect the emotional interaction and emotional development of the couple. It has the nature and significance of taking qu as the history. In addition, for the first time, this paper analyzes and discusses the music of "Linglong Advocacy and Collection" related to Shengan's "Linglong Advocacy", investigates its identity, creative form, creative background, creative mentality and so on, and tries to reveal and expound the reasons for its successful collection. The selection of curved body and the value of the set are related problems. The Yang family and its related songwriters all take the rest as the scattered song, or the political affairs economy, or works the macro profession, or manages the family, or the poem wine sings, has the chance, the arbitrariness, even the passivity. They sprang up between Zhengde and Jiajing, with distinctive characteristics, outstanding achievements, but difficult to follow again, such as the lonely moon hanging high and little should, especially from other regional songwriters of the same time, especially from the whole Ming Dynasty qu altar.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.24

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