扬雄《剧秦美新》与汉代的王道观

发布时间：2018-04-25 14:01

本文选题：奋三为一 + 古文《尚书》　；参考：《上海大学学报(社会科学版)》2017年05期

【摘要】：《文选》扬雄《剧秦美新》中"奋三为一",李善和五臣均释为于《尧典》、《舜典》外,新作帝典一篇,合三篇而为一,这种解释实为误解。"奋三为一"源于"王道通三"观念。"王道通三"是汉人王道观中的核心命题,它在贯通天人的基础上,强调屈民伸君、屈君伸天,是与汉政治文化环境相应的原创理论。汉帝国不仅政治上超迈往古,思想上也涵括天人,具大一统特色。其王道观于思想领域集成众说,另辟新义,是时代精神的高度体现。
[Abstract]:In Yang Xiong's play "Qin Meixin," "Fen San is one." Li Shan and his five ministers were both interpreted as "Yao Dian", "Shun Dian", "A New Emperor's Canon" and one "combined with three articles." this interpretation is a misconception. "". "... Fen-San as one "originates from the concept of Wang Daotong three." Wang Daotong three "is the core proposition of Han Wang Taoism, which emphasizes the original theory corresponding to the political and cultural environment of Han Dynasty. The Han Empire not only went to ancient times in politics, but also included Heaven and Man in ideology. His view of Wang Daoism is the embodiment of the spirit of the times.
【作者单位】：郑州大学文学院;
【基金】：国家社科基金项目“经典化视阈下的汉代文学研究”(16BZW089)
【分类号】：B234;I206.2

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