刘盛亚抗战文学叙事艺术研究

发布时间：2018-05-13 13:21

本文选题：刘盛亚 + 结构特征　；参考：《重庆师范大学》2017年硕士论文

【摘要】：刘盛亚是重庆抗战文学中被忽略的一位作家,1915年出生于重庆,1935年始辗转于北平、武汉、德国等地。丰富的见闻使他的抗战文学创作不仅服务于战争,而且也将其视角延伸至生活之中,使他的抗战文学具有现实性与史诗性相结合的特征。然而,文艺界对他抗战作品的研究尚局限于叙事内容的研究,对其作品的整体性研究十分欠缺。本文试图对刘盛亚抗战文学的叙事艺术展开整体性研究。论文由以下六部分构成。绪论部分阐释问题来源及研究意义,介绍刘盛亚抗战时期的文学创作,总结前人对刘盛亚抗战文学的研究状况,分析其中所存在的不足。第一章分析刘盛亚抗战文学的结构特征,即故事的构成形态。刘盛亚抗战作品在结构上呈现出缀段性框架结构、单线性发展结构及复线性交错结构的特征。第二章是对刘盛亚抗战文学叙事声音的考察。分别从叙事声音的类别及叙事声音的多重性两方面展开论述。第三章阐释刘盛亚抗战文学中的叙事视角。刘盛亚通过对叙述人外视角与人物内视角的选择构建了他的创作主题,视角的选择具有流动性的特征。第四章论述刘盛亚抗战文学中的叙事节奏。节奏是作者在叙述过程中规律性的变化。在刘盛亚的战时作品中,主要采用了追述与预述、对场景的安排与加速度三种节奏形式。以上节奏形式对情节的设置不仅能分出事件的轻重缓急,也能为作者创作一个统一的审美氛围。结语部分总结了刘盛亚抗战文学的叙事艺术及形成原因。刘盛亚受五四新文学与抗战文学的双重影响,他于抗战时期创作的作品所形成的叙事艺术,一是来源于“文艺为抗战服务”创作思想的影响,二是受人道主义创作思想的启发,三是现实主义写作思想的指导。
[Abstract]:Liu Shengya is a neglected writer in the literature of Chongqing War of Resistance against Japan. He was born in Chongqing in 1915, and began to travel in Peiping, Wuhan, Germany and other places in 1935. His literary creation not only served the war, but also extended his perspective to life, which made his anti-Japanese literature have the characteristics of combining reality with historical poetry. However, the study of his works in the literature and art circles is still limited to the study of narrative content, and the research on the integrity of his works is very lacking. This paper attempts to carry out a holistic study on the narrative art of Liu Shengya's anti-Japanese literature. The thesis consists of the following six parts. The introduction explains the origin of the problem and its significance, introduces Liu Shengya's literary creation during the Anti-Japanese War, summarizes the research situation of Liu Shengya's anti-Japanese literature, and analyzes the shortcomings. The first chapter analyzes the structural characteristics of Liu Shengya's anti-Japanese literature, that is, the composition of the story. The structure of Liu Shengya's Anti-Japanese War works is characterized by segmental frame structure, single linear development structure and complex linear staggered structure. The second chapter is the investigation of Liu Shengya's narrative voice in anti-Japanese literature. This paper discusses the types of narrative sounds and the multiplicity of narrative sounds. The third chapter explains Liu Shengya's narrative angle of view in anti-Japanese literature. Liu Shengya constructs his creative theme through the choice of external and internal perspectives of narration, and the choice of visual angle has the characteristic of fluidity. The fourth chapter discusses the narrative rhythm in Liu Shengya's anti-Japanese literature. Rhythm is the change of regularity in the process of narration. In Liu Shengya's wartime works, there are three main rhythmic forms: recall and prestate, scene arrangement and acceleration. The setting of the above rhythm can not only prioritize the events, but also create a unified aesthetic atmosphere for the author. The conclusion summarizes the narrative art of Liu Shengya's anti-Japanese literature and the reasons for its formation. Liu Shengya was influenced by the May 4th New Literature and Anti-Japanese War Literature. The narrative art formed by his works during the Anti-Japanese War came from the influence of "Literature and Art in the Service of Anti-Japanese War", and the second was inspired by humanitarianism. Third, the guidance of realistic writing thought.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.6

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