煨桑诵文《嘉岸拉桑钦姆》文本研究

发布时间：2018-05-13 22:40

本文选题：嘉岸拉桑钦姆 + 集桑　；参考：《西北民族大学》2017年硕士论文

【摘要】：煨桑诵文作为描述向藏区地域神或山神献祭的仪轨文献,集古老性与民间性、宗教性、普遍性等特征,是藏族煨桑仪式中最为重要也是不可或缺的文体形式。其中《嘉岸拉桑钦姆》作为早期和重要的藏族煨桑诵文作品,一直被视为是历代煨桑诵文文体的代表作,以至于后期以宁玛派为主的藏传佛教宗派均视之为煨桑诵文创作的蓝本。《嘉岸拉桑钦姆》的文体中不仅兼具了早期苯教净化与后期佛教供奉的两个方面,更在不同文化背景与历史事件中,通过实施类似于佛教火供的仪式,表明了其以佛教思想为核心的内容。我们通过研究《嘉岸拉桑钦姆》及其仪式的内容与形式,能发现藏族向山神等神灵酬谢供奉习俗的历史与渊源,并对研究藏民族神圣与世俗相结合的信仰生活有一定的现实意义。本文试图从整体介绍藏族煨桑文化的方式,论述煨桑诵文的文化内涵,并通过讨论煨桑文化的起源及其在不同文化背景下的变迁情况,论述煨桑诵文这一文类或文体的起源及《嘉岸拉桑钦姆》在煨桑诵文中的地位等。首先关于《嘉岸拉桑钦姆》的起源问题,本文针对该文献出自伏藏文本的特殊情况,通过引经据典和逻辑推理相结合的方式作了详细论述,并得出公元八世纪由莲花生大师亲自撰写的传说为该文献的起源奠定了思想基础,而真正成书的时间段应是伏藏挖掘时期的结论。其次对《嘉岸拉桑钦姆》的文本作出了分析,其涉及到文体的框架结构与段落排列以及如何从相关仪式的排列中突出佛教中心地位等,并通过分析与阐释该文献的文体格式以及对此文献中的部分疑难字词的解释标注,论述了该文献如何源自藏民族的生活而又反映藏民族生活等的内容。再次,从《嘉岸拉桑钦姆》文本的内容与形式分别论述了该文献的文本特征。试图从该文献特有的古老性与历史性等方面来阐释该文献跨越时间与空间的内容特征,并依据其文体外在的形式与格式特点探析该文献的形式特征及其成因和功能等。最后从《嘉岸拉桑钦姆》对煨桑诵文文体完整化的推动及其为后世煨桑诵文文体的结构与语体、风格等方面的影响,甚至对该文献成为后世撰写煨桑诵文的通用性蓝本与山神名录等方面入手,探讨了该文献对后世煨桑诵文文体的影响情况。综上所述,本文从文体学的意义探讨了蕴含着藏族文化根基的典型煨桑诵文案例,并期望此研究能为藏族煨桑文化以及煨桑诵文的研究提供一个参考,从而引起对煨桑诵文的重视与更深层次的研究工作。
[Abstract]:As a document describing the sacrifice to Tibetan regional gods or mountain gods, the Sang Sheng's recitation is the most important and indispensable style form of Tibetan simmering ceremony, which gathers the characteristics of ancient, folk, religious and universal. Among them, "Jia an La Sang Chin", as an early and important Tibetan mulberry chanting work, has always been regarded as a masterpiece of the style of simmer mulberry recitation in successive dynasties. So much so that the later Tibetan Buddhist sects, mainly Nimar sect, regarded it as a blueprint for the chanting of simmer mulberry. The style of < Jiaban La Sangchen > not only has two aspects of early benzene purification and later Buddhism worship, but also has two aspects in the style of "Jiaban La Sangchen". Moreover, in different cultural backgrounds and historical events, it shows that Buddhist thoughts are the core content through the implementation of ritual similar to Buddhist fire offering. By studying the contents and forms of La Sangchen and its rituals, we can find out the history and origin of the Tibetan custom of honoring gods such as mountain gods. And it has certain practical significance to study the religious life of Tibetan nationality combining sacred and secular. This paper tries to introduce the way of Tibetan simmer mulberry culture as a whole, discuss the cultural connotation of simmer mulberry recitation, and discuss the origin of simmer mulberry culture and its vicissitude under different cultural background. This paper discusses the origin of the text or style of "simmer mulberry recitation" and the position of "Jiaban La Sangchen" in the reading of "simmer mulberry". First of all, about the origin of "Jia'an La Sang Chin", this paper discusses in detail the special situation of this document, which is derived from Tibetan texts, through the combination of quoting classics and logical reasoning. It is concluded that the legends written by Master Lianhuasheng in the eighth century laid the ideological foundation for the origin of the literature, and the time period for the real completion of the book should be the period during which the hidden deposits were excavated. Secondly, this paper analyzes the text of "Jia'an La Sangchen", which involves the frame structure and paragraph arrangement of the style and how to highlight the central position of Buddhism from the arrangement of related rituals. By analyzing and explaining the stylistic format of the document and the explanation of some difficult words in the document, this paper discusses how the document originates from the life of the Tibetan people and reflects the life of the Tibetan people. Thirdly, the text features of the text are discussed from the content and form of the text. This paper attempts to explain the content characteristics of the literature spanning time and space from the aspects of its unique antiquity and historicity, and analyzes the formal characteristics, causes and functions of the literature according to its stylistic external form and format characteristics. Finally, from the perspective of "Jiaban La Sangchen", it promotes the integration of the style and the structure, style, style and so on of the style of reading the words of the simmer mulberry, and the influence of the style, and so on, on the structure, style and so on. The paper even discusses the influence of this document on the style of the reading of mulberry in the later generations by making it a universal blueprint and a catalogue of mountain gods. To sum up, this paper probes into the typical case of simmer mulberry chanting which contains the foundation of Tibetan culture from the meaning of stylistics, and hopes that this study can provide a reference for the study of Tibetan simmer mulberry culture and simmer mulberry recitation. So as to the simmer mulberry reading attention and a deeper level of research work.
【学位授予单位】：西北民族大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.9

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