南宋笔记中的诗文批评研究

发布时间：2018-05-14 00:42

本文选题：南宋笔记 + 诗文创作　；参考：《南京师范大学》2017年硕士论文

【摘要】：“笔记”滥觞于战国时期“九流十家”的“小说家”,经过两汉魏晋的分流和发展,至唐宋时期成为一种独立文体。自汉代及至清代,从《汉书·艺文志》到《四库全书总目提要》,历代目录学著作展现了笔记的发展壮大及其地位的升降变化,从中也可以清晰地看到宋代笔记在笔记发展中承前启后的重要作用。笔记这一文体在宋代进入成熟期,无论在创作数量还是质量上,都有了很大的提升。尤其在南宋,学术性笔记的比重有明显增加,出现了《容斋随笔》、《能改斋漫录》、《老学庵笔记》、《齐东野语》、《困学纪闻》等诸多优秀之作。其中对诗词文章的评鉴、对文学风气的审视,新见迭出,材料十分丰富。与前代笔记作品相比,南宋笔记在撰写视角和内容上都有诸多开拓,多侧重对历代典章制度、名物典故、字形字音字义的考辨,同时关注对历代诗词文章、作家作品的评鉴,体现出宋人笃学慎思的怀疑精神,对笔记写作的繁荣也有极大的促进作用。陶渊明、杜甫、苏轼以及黄庭坚等文学大家在文学发展史上占据十分重要的地位,南宋笔记中已对他们给予了非常多的关注,通过对陶渊明行迹的考索、杜甫作品文本的考订、苏轼文学形象的多元阐释以及黄庭坚及江西诗派诗法的分析,具体把握南宋笔记中对文学探讨的重点所在,即对历代重要作家、作品、文学思想及潮流的评价与反思。除了对个别作家的评论,南宋笔记中还有从整体上对文学发展规律、文学作品风格以及文学创作等方面的论述,他们普遍强调文学作品在继承基础上的创新,追求文章中学问、义理与立身处世的结合,诗词创作中的“气格”、“气象”与味外之味,这些都大大丰富了中国传统的文学理论批评。
[Abstract]:"Notes" originated in the warring States period "Jiuliu Ten" novelist ", through the Han Dynasty, Wei and Jin's diversion and development, to the Tang and Song dynasties to become an independent style. From the Han Dynasty to the Qing Dynasty, from "the Art of the Han Dynasty" to "the outline of the Siku Book of works", the bibliographic works of the past dynasties showed the development of the notes and the rise and fall of their status. From this, we can clearly see the important role of the Song Dynasty notes in the development of notes. In the Song Dynasty, the style of note-taking entered into a mature period, both in terms of creation quantity and quality, has greatly improved. Especially in the Southern Song Dynasty, the proportion of academic notes has increased obviously, and many excellent works have appeared, such as "Rong Zhai essay", "being able to change Zhai Companion", "the Notes of Lao Xuean", "Qi Dongyu", "Troubles", and so on. Among them, the evaluation of poems and articles, the examination of literary ethos, the emergence of new materials are very rich. Compared with the works of the previous generation, the notes of the Southern Song Dynasty have many pioneering points of view and content, focusing on the textual research and differentiation of the system of the ancient dynasties, the allusions of famous things, the meaning of the characters and sounds, and at the same time paying close attention to the evaluation of the poems and poems of the past dynasties and the works of the writers. It reflects the sceptical spirit of learning and thinking carefully in Song Dynasty and promotes the prosperity of note-taking. Literature such as Tao Yuanming, du Fu, Su Shi and Huang Tingjian occupy a very important position in the history of literary development. They have been paid much attention in the notes of the Southern Song Dynasty. The pluralistic interpretation of Su Shi's literary image and the analysis of Huang Tingjian and the poetry method of Jiangxi School of Poetry, concretely grasp the key points of literary discussion in the notes of Southern Song Dynasty, that is, the evaluation and reflection on the important writers, works, literary thoughts and trends of the past dynasties. In addition to their comments on individual writers, the notes of the Southern Song Dynasty also discussed the law of literary development, the style of literary works, and literary creation as a whole. They generally emphasized the innovation of literary works on the basis of inheritance and pursued learning in the articles. The combination of righteousness and principle, the spirit in poetry creation, the weather and the taste outside taste have greatly enriched the criticism of Chinese traditional literary theory.
【学位授予单位】：南京师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I206.2

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