在乱针绣工艺中绘画语言的表现

发布时间：2018-05-21 19:34

本文选题：乱针绣 + 刺绣　；参考：《西南交通大学》2012年硕士论文

【摘要】：笔者力图通过对乱针绣工艺的研究,结合当代绘画的绘画语言,并使之结合,寻求出一条绘画语言在乱针绣工艺中应用的表达和再造的可行途径。纤维艺术作为西方现代艺术的一种表现形式,从其形成至今也不过短短的八十余年,她起源于西方,脱胎于古老而传统的挂毯,伴随着现代艺术的兴起而逐渐兴盛。纤维艺术是一种还在被不断创新、发展、变化中的年轻的艺术形式,但在许多人的眼里,她的历史又很古老。自从人类掌握了织物制造技术以来的众多纺织织物的艺术形式,都可看做是她的传统,并且这种艺术形式,主要是以实用为目的,具有较强的可复制性。而现代的纤维艺术中的主题和审美观念,更多的是一种创作者对其主观意念的表达,同时也是现代家居空间装饰的重要组成部分,是协调家居空间与空间中所处的人的关系,强调观念与情感的表现,强调空间因素中的艺术效果和对人文因素的关注。刺绣是中国最古老的技艺之一,也是“女红”中的一员,“女红”作为中国最早的纤维艺术,在中国古代的经济水平下,男耕女织是其文化的源头。而来源于刺绣,又突破了刺绣传统范式的乱针绣,在功能、题材与形式方面上来讲,都已不是传统刺绣那种主要功能为实用,设计目的从属于“用”,乱针绣更多的是用于家居空间装饰的应用中,以独立作品的形式出现,以其瑰丽多变的色彩、立体感强的画面效果,和天然材质制成的绣线在画面上层层密布的肌理,在现代的家居空间中展示着独特的魅力和风采。在纤维艺术理论指导的基础上,笔者分四个部分：首先从乱针绣源流、艺术特征、创作理念、色彩风格、针法技巧、工巧表现等相关属性方面入手进行研究和实践,探讨乱针绣工艺与传统刺绣之间的渊源和联系。其次,就纤维壁挂的历史发展、发展里程作出讨论,得出乱针绣工艺与当代绘画、乱针绣工艺与现代建筑空间、乱针绣工艺与家居空间的关系；再次,在现代工业文明对传统手工艺的冲击下,乱针绣的发展、生存现状及传承性；最后,在综合前面研究几个方面的基础上,以乱针绣大师创作的经典作品和笔者自己创作的作品,结合乱针绣工艺在家居空间中的应用,进一步提出作为纤维艺术品之一的乱针绣,不仅仅是其作品本身对创作者主观意念的一种表达形式,也是绘画语言在乱针绣工艺中的表达和再造。
[Abstract]:The author tries hard to find a feasible way of expression and reconstruction of the application of the painting language in the process of disorderly embroidery through the study of the disorderly stitch technique and the combination of the painting language of the contemporary painting and the combination of the painting language and the modern painting language. Fiber art, as a form of expression of western modern art, is only 80 years old from its formation. It originated from the West, was born out of the old and traditional tapestries, and gradually flourished with the rise of modern art. Fiber art is a young art form which is still innovating, developing and changing, but in the eyes of many people, its history is very old. The art form of textile fabric has been regarded as her tradition since the human being mastered the technology of fabric manufacture, and this kind of art form, which is mainly for the purpose of practicality, has strong reproducibility. The theme and aesthetic concept of modern fiber art, more than a creative expression of its subjective ideas, but also an important part of modern home space decoration, is to coordinate the relationship between the home space and the people in the space. It emphasizes the expression of idea and emotion, the artistic effect of space factor and the concern of humanistic factor. Embroidery is one of the oldest techniques in China and a member of "female Red". As the earliest fiber art in China, "Women's Weaving" is the source of its culture under the economic level of ancient China. In terms of function, subject matter and form, the main function of traditional embroidery is not practical, and the purpose of design is subordinate to "use". Random stitch embroidery is more used in the application of home space decoration, appearing in the form of independent works, with its magnificent and changeable color, strong three-dimensional picture effect, and the texture of the embroidered thread made of natural materials on the screen layer by layer. In the modern home space is showing unique charm and style. On the basis of the theoretical guidance of fiber art, the author divides into four parts: firstly, the author begins with the research and practice of the related attributes, such as the source of embroidery, artistic features, creative ideas, color style, needling techniques, artistry, and so on. This paper discusses the origin and relation between disorderly embroidery and traditional embroidery. Secondly, the paper discusses the historical development and mileage of fiber wall hanging, and concludes the relationship between disorderly stitch craft and contemporary painting, random stitch embroidery technology and modern architectural space, random stitch embroidery craft and home space. Under the impact of modern industrial civilization on traditional handicrafts, the development, survival status and inheritance of disorderly stitch embroidery; finally, on the basis of synthesizing several aspects of the previous studies, the classical works created by the master of disorderly embroidery and the works created by the author themselves are used. Combined with the application of disorderly embroidery technology in the home space, it is further put forward that as one of the fiber works of art, random stitch embroidery is not only a form of expression of the creator's subjective ideas in his works. It is also the expression and reconstruction of painting language in embroidery process.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J523.6

【引证文献】