当代青花艺术创作中的笔墨精神
发布时间：2019-03-01 17:08
【摘要】：随着我国陶瓷文化艺术的迅速发展，当代青花艺术成为焦点。青花瓷艺术是我国的国粹艺术，是景德镇对世界陶瓷的巨大贡献。近年来，学界围绕陶瓷与绘画艺术掀起的讨论层出不穷，越来越多的职业画家到景德镇画瓷，对于当代景德镇陶瓷艺术融合起到了积极的作用，但与此同时，也带来了诸多问题，比如陶瓷绘画中是否需要笔墨；笔墨如何在青花艺术创作中具备时代感；当代青花艺术中的精神何在等。在这些问题的驱使下，笔者通过对相关史籍与陶瓷标本研究，，以及长期从事的青花创作实践和纸本中国画艺术实践心得，对当代青花艺术创作中的笔墨精神进行了系统的研究。
[Abstract]:With the rapid development of ceramic culture and art in China, contemporary blue-and-white art has become the focus. The art of blue-and-white porcelain is the quintessence of our country and the great contribution of Jingdezhen to the world ceramics. In recent years, more and more professional painters have come to Jingdezhen porcelain painting, which has played a positive role in the integration of contemporary Jingdezhen ceramic art, but at the same time, Also brought a lot of problems, such as ceramic painting whether the need for ink; Pen and ink in the creation of blue-and-white art has a sense of the times; contemporary blue-and-white art, where is the spirit. Driven by these problems, the author systematically studies the spirit of pen and ink in the contemporary art creation of blue and white flowers through the study of related historical books and ceramic specimens, as well as the long-term experience in the practice of blue-and-white creation and the practice of Chinese painting on paper.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
本文编号：2432627
[Abstract]:With the rapid development of ceramic culture and art in China, contemporary blue-and-white art has become the focus. The art of blue-and-white porcelain is the quintessence of our country and the great contribution of Jingdezhen to the world ceramics. In recent years, more and more professional painters have come to Jingdezhen porcelain painting, which has played a positive role in the integration of contemporary Jingdezhen ceramic art, but at the same time, Also brought a lot of problems, such as ceramic painting whether the need for ink; Pen and ink in the creation of blue-and-white art has a sense of the times; contemporary blue-and-white art, where is the spirit. Driven by these problems, the author systematically studies the spirit of pen and ink in the contemporary art creation of blue and white flowers through the study of related historical books and ceramic specimens, as well as the long-term experience in the practice of blue-and-white creation and the practice of Chinese painting on paper.
【学位授予单位】：景德镇陶瓷学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：J527
【参考文献】
相关期刊论文 前6条
1 陈孟龙;;谈谈王步青花的技巧美[J];景德镇陶瓷;1984年02期
2 邓白;;论民间青花瓷器的装饰艺术[J];景德镇陶瓷;1986年03期
3 欧阳之川;;景德镇青花装饰渲染技法演变研究[J];陶瓷学报;2009年04期
4 刘江辉;丁传国;;浅谈青花瓷艺术创作的审美变形[J];现代技术陶瓷;2011年02期
5 欧阳世彬;釉上青花技术与青花的定义——兼论青花的起源[J];中国陶瓷;1983年06期
6 袁迪中;;谈谈现代青花瓷的料色[J];中国陶瓷;1982年03期
相关硕士学位论文 前2条
1 郭其会;明代民窑青花线的情感表达[D];景德镇陶瓷学院;2010年
2 刘颖;论文人画对十七世纪民窑青花的影响[D];景德镇陶瓷学院;2010年
本文编号：2432627
本文链接：https://www.wllwen.com/jingjilunwen/lyjj/2432627.html
