陈洪绶绘画风格嬗变探究

发布时间：2018-08-07 16:08

【摘要】：在中国绘画史发展的历程中，生活于明末清初这一朝代交替缝隙的绘画大师陈洪绶，在人物、花鸟、山水方面都有着卓越的成就。他自幼聪慧过人，少年时已显示出不凡的绘画天赋，早年曾拜蓝瑛、孙gU为师学习绘画，自身对古代众家之法也颇有研究。并能做到融汇贯通，为己所用，自成一格。他的绘画风格主要可以用高古奇骇、变形夸张、生动传神、装饰味浓来概括形容。尤其是在人物画上的造诣更是无可取代，对后世的绘画产生了深远的影响。本文第一章首先从陈洪绶身处的明末清初的社会时代背景出发，分析明代画坛呈现的各种绘画面貌，画派林立，画家众多，，画风繁杂，画派更迭等等一系列的基本情况，确立陈洪绶在其中的地位。然后分三段详细的介绍了陈洪绶的坎坷生平以及他一生的学习轨迹。通过史料记载的诸多事迹能了解到多位古代大师对他绘画风格的影响，初步的呈现出了他师古为新的精神，而且能了解他一腔爱国热情无处挥洒的苦闷。这些与他狂放不羁的性格和创作心理以及审美思想都息息相关。论文的第二部分是本文的重点章节，详细的分析论述了陈洪绶绘画风格的嬗变在人物画、花鸟画及山水画三个方面的具体表现，着重展现了他画风变化的轨迹和独特的艺术魅力。其中人物画是通过他笔下刻画的不同身份种类来逐一分析风格的变化和变化所表现出来的特点，以及突出的特征表现。花鸟画则是通过画面的不同要素来揭示陈洪绶独特的风格面貌；山水方面主要从其画面怪诞奇崛的装饰意趣，以及用笔的大转变上，纵横结合探究其异于常人的山水奥妙。这期间不仅展示了陈洪绶不断突破自我的绘画风格，更突出了陈洪绶师古出新，不拘古法，不从俗流的独特绘画魅力。使读者不仅能在宏观上整体的把握其绘画的特点，而且能从微观上了解变化的具体表现。陈洪绶绘画风格的形成和嬗变是诸多因素共同作用的结果，本文的第三部分着重分析了这一原因。从晚明社会的政治、经济、文化、思想发展状况着手，来论证一个画家的心路历程，借以指出外部环境对他的审美价值取向，绘画思想的形成产生的影响，从而作用于他的绘画风格的形成和变化。在陈洪绶的绘画风格形成的过程中，存在着不可忽视的两对矛盾，即钟情仕途和书画艺术的矛盾以及身为遗民忠于故国与苟且偷生的矛盾，这种矛盾交织的心情会直接体现在他的画面之中。最后一部分梳理并分析了陈洪绶个人以及绘画的艺术魅力对后世画家的影响，对当代画家的启示，于我们自身学习绘画又有哪些宝贵借鉴。主要意在强调他在学习古人传统精华的同时，能融合多家，又不为其束缚，即师古不泥古，能独辟蹊径，自成一家。
[Abstract]:In the course of the development of Chinese painting history, Chen Hongshou, a master painting master who lived in the late Ming and early Qing dynasties, had outstanding achievements in characters, flowers and birds, landscape and landscape. As a child, he had shown extraordinary talent for painting. In his early years, he worshipped Lan Ying and Sun GU studied painting as a teacher. And can achieve convergence, for their own use, self-into a grid. His painting style can be described in terms of Gucci, distortion and exaggeration, vivid and vivid, decorative flavor to generalize. Especially in figure painting on the attainments is irreplaceable, the painting has a profound impact on later generations. The first chapter of this paper starts from the social background of Chen Hongshou in the late Ming and early Qing dynasties, and analyzes a series of basic situations, such as the various painting features of the Ming Dynasty, the numerous painters, the complicated style of painting, the change of painting schools, and so on. Establish the position of Chen Hongshou in it. Then it introduces Chen Hongshou's bumpy life and his study track in three sections. Through the historical records of many deeds can understand the influence of many ancient masters on his painting style, initially showing his ancient spirit for the new, but also to understand his patriotic passion nowhere to spill the pain. These are closely related to his unruly character, creative psychology and aesthetic thoughts. The second part of the paper is the key chapter of this paper, the detailed analysis of the evolution of Chen Hongshou painting style in the figure painting, flowers and birds painting and landscape painting in three aspects of the specific performance, It focuses on showing the track of his painting style and its unique artistic charm. Among them, figure painting is to analyze the characteristics of style change and change one by one through the different kinds of identity described by him, as well as the outstanding features. Flower and bird painting is through the different elements of the screen to reveal the unique style of Chen Hongshou face; landscape mainly from its screen grotesque decorative interest, as well as the great changes in the pen, the combination of vertical and horizontal to explore its different from ordinary people's landscape mystery. During this period, not only Chen Hongshou constantly broke through his own painting style, but also highlighted the unique painting charm of Chen Hongshou. So that readers can not only grasp the characteristics of their paintings in macro-scale, but also understand the specific performance of change from the micro-level. The formation and evolution of Chen Hongshou's painting style is the result of many factors. Starting from the political, economic, cultural and ideological development of the late Ming Dynasty, this paper demonstrates a painter's mental course, in order to point out the influence of the external environment on his aesthetic value orientation and the formation of painting thought. Thus acting on the formation and change of his painting style. In the process of the formation of Chen Hongshou's painting style, there are two pairs of contradictions that can not be ignored, namely, the contradiction between the official career of love and the art of painting and calligraphy, and the contradiction between being loyal to the country and living in a secret life as a relic. This ambivalent mood will be directly reflected in his picture. The last part combs and analyzes the influence of Chen Hongshou's individual and the artistic charm of painting on the later generation painters, the inspiration to contemporary painters, and what valuable reference we have for our own study of painting. It is mainly intended to emphasize that while he is learning the essence of the ancients, he can merge more than one family without being bound by it, that is to say, he can create a unique way and form his own family.
【学位授予单位】：河南师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J205

【共引文献】