尺幅之变—两宋园林的写法与画法

发布时间：2018-04-27 13:21

本文选题：两宋 + 园林　；参考：《浙江大学》2013年硕士论文

【摘要】：两宋时期,山水画发生重大变革,小幅边角山水取代卷轴全景山水成为南宋画坛主流。边角小幅独立成景,无论从尺幅还是从内容上都可看作是对北宋全景的“裁取”。裁取之余,南宋画家对园林场景进行“实化”与“虚化”。两宋山水的这一转变反映了宋人对园林场景的认知由连续场景的经营变为局部景观的刻画。这一现象促使园林小景的构筑开始注重边角处理并逐步形成景区。二者的变化是以园林文字著述由“总说成景”到“分述成景”的转变为先导的。
[Abstract]:During the Song Dynasty, landscape painting underwent major changes, small corner landscape instead of scroll panoramic landscape became the mainstream of Southern Song painting. Corner small independent scene, whether from the ruler or from the content can be seen as the Northern Song panorama of the "cut." On the other hand, the Southern Song Dynasty painters carried out "materialization" and "nihilization" of landscape scenes. The change of landscape in Song Dynasty reflects the change from continuous scene management to local landscape description. This phenomenon prompted the construction of garden landscape began to pay attention to the corner processing and gradually formed the scenic spot. The change of both is based on the change of landscape writing from "total saying into scenery" to "dividing into scenery".
【学位授予单位】：浙江大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU-098.4

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