史前艺术论略——基于欧洲考古学成果和一般艺术学的角度

发布时间：2018-04-15 04:26

本文选题：艺术学 + 史前艺术　；参考：《艺术百家》2017年01期

【摘要】：人类史前艺术有着比较集中稳定的地区,这就是欧洲,而非一般所认为的处于零星、分散的状态。就分类学角度而言,欧洲史前艺术已经跨越造型(视觉)艺术和表演艺术(听觉)两大门类,换言之,史前艺术已经具备了人类艺术的基本样态。另外,在表现手法上,欧洲史前艺术也已经达到了相当的高度,传统认为它们一直停留在稚拙的原始状态是错误的。由此自然而然地得出结论:以欧洲为代表的史前艺术构成人类艺术史的第一乐章,艺术史不是从东方开始,而是自西方发端。黑格尔理论中的象征型艺术不应局限在古代东方的金字塔,应当向前延伸,它包括史前艺术。
[Abstract]:Prehistoric art has a relatively concentrated and stable region, which is Europe, not what is generally thought to be sporadic and scattered.From a taxonomic point of view, prehistoric art in Europe has transcended the categories of modeling (visual) art and performing arts (auditory). In other words, prehistoric art has acquired the basic form of human art.In addition, European prehistoric art has reached a high level in terms of expression techniques, and tradition holds that it is wrong for them to remain in the primitive state of infancy.It is natural to conclude that prehistoric art, represented by Europe, constitutes the first movement of human art history, which began not in the East, but in the West.The symbolic art in Hegel's theory should not be confined to the ancient eastern pyramids, but should be extended forward, including prehistoric art.
【作者单位】：南京信息工程大学艺术与传媒学院;东南大学艺术学院;
【分类号】：J110.92;K86

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