后现代语境文化认同与现代性的张力——以叶维廉为视角
发布时间:2018-04-09 07:12
本文选题:叶维廉 切入点:中国文化 出处:《杭州师范大学学报(社会科学版)》2016年03期
【摘要】:文化认同是中国迈向现代国家过程中遭遇的一大困境,中国不得不面对传统与现代之间的冲突,其文化认同与现代性之间充满了纠葛。负笈美国研习西方现代诗之后,叶维廉重新接续中国诗学,这也激发了他对中国文化的重新认同,揭示道禅美学的当代意义。从根本上看,审美经验是一种文化经验,审美经验的塑造源自文化的认同感,审美经验与文化认同之间存在着一种共同的结构,表现为一种文化政治。因此,后现代对现代性的彻底批判启发叶维廉重审汉语诗性的价值。后现代给予了基于民族文化重审现代性的同一性的契机,给予了民族文化作为多元文化的地位,乃至作为对现代性进行审理的思想意义。中国文化认同与现代性的冲突,在叶维廉通过跨文化的比较中被化解。他从西方对现代性的批判中看到了西方后现代思想与中国文化之间的兼容性,从而打破"五四"以来中西之间的对立,以中国的现代性诗学沟通古今。
[Abstract]:Cultural identity is a dilemma in the process of China's transition to a modern country. China has to face the conflict between tradition and modernity, and the conflict between cultural identity and modernity is full of disputes.After studying western modern poetry in the United States, Yip Wei-lien resumed Chinese poetics, which inspired him to re-identify with Chinese culture and reveal the contemporary significance of Taoism aesthetics.Fundamentally, aesthetic experience is a kind of cultural experience, and the shaping of aesthetic experience originates from the identity of culture. There is a common structure between aesthetic experience and cultural identity, which is manifested as a cultural politics.Therefore, the post-modern criticism of modernity enlightens Yip Wei-lien to re-examine the value of Chinese poetry.Post-modernism gives the opportunity to review the identity of modernity based on national culture, gives the status of national culture as multi-culture, and even serves as the ideological significance of the trial of modernity.The conflict between Chinese cultural identity and modernity was resolved through cross-cultural comparison.In his critique of modernity in the West, he saw the compatibility between western postmodernism and Chinese culture, thus breaking the antagonism between China and the West since the May 4th Movement, and communicating ancient and modern with Chinese modern poetics.
【作者单位】: 绍兴文理学院人文学院;
【基金】:国家哲学社会科学研究基金一般项目“二十世纪下半叶西方汉学家的中国美学研究”(09CZW010) 中国博士后第六批特别资助(2013T60660)的研究成果
【分类号】:G122
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本文编号:1725388
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