北朝佛传故事图像研究
发布时间：2018-03-20 11:18
本文选题：北朝佛传故事 切入点：分区与分期 出处：《山东大学》2012年博士论文 论文类型：学位论文
【摘要】：本文借鉴前人研究成果,从美术考古学角度出发,系统整理和分析目前所见北朝时期佛传故事图像艺术的相关资料,在此基础上对其进行分区、分期研究,建立北朝佛传故事发展的时空框架,总结其时代性及区域性特征,并结合历史文献及相关图像资料对典型题材及图像系统进行解读,进而探讨北朝时期佛传故事图像艺术发展过程中所涉及到的艺术风格、民族融合、文化继承与交流以及宗教信仰等相关问题。 本文主要分以下几个部分论述北朝佛传故事图像艺术：一、本文选题意义和目前学界研究的现状,并提出北朝佛传故事图像艺术研究的思路框架与研究方法；二、对北朝佛传故事内容及艺术形象题材进行分类介绍,将北朝时期的佛传故事图像艺术按照雕塑和壁画两种艺术技法进行分析,探讨其构图布局特点,并整理佛传故事图像艺术的分区及分期；三、在内容布局及各期特点明确的基础上对北朝佛传故事艺术风格和审美观念进行研究；四、通过典型佛传故事艺术分析北朝时期的人生观从而论证佛传故事中体现的救渡和忠孝思想；五、通过研究北方少数民族政权与佛教的关系、与汉人的文化融合以及南朝文化的北传,研究北朝佛传故事图像艺术与文化交流的关系；六、综述全文得出北朝佛传故事对图像艺术的影响。 通过对北朝佛传故事图像艺术的系统研究、综合梳理发现北朝佛传故事在当时佛教美术中占重要位置,现存大量北朝佛传故事遗例；通过文献及实物考证,认定这一时期的佛传故事内容表现特点很大程度上就是当时文化艺术、思想美学的集中彰显。以云冈石窟第6窟雕塑和莫高窟第290窟壁画为代表的北朝佛传故事图像艺术敏锐地反映那个时代思想意识的变化,以其精湛的工艺技法,直观反映了北朝时期的思想意识。通过调查论证认为,北朝佛传故事大量出现在石窟寺雕塑、绘画等宗教艺术当中,是与北朝皇室的统治思想、宗教信仰密切相关的。北朝时期少数民族政权对河西和东北地区逐一征服,吸收融合了这些地区的汉魏文化传统。随着北朝政治中心的不断南移,出于统治上的需要,其在典章制度、文化信仰、宗教艺术等方面不断吸收新的元素,并逐步与南朝汉文化传统融合,建立起少数民族与汉民族共同接受的文化模式。北朝佛传故事艺术的本质是建构在文化继承与宗教信仰基础上的,佛教经典中对佛传故事的内容描述大致相同,但不同时期佛教思想的发展演变加之不同艺术修养及工艺水平的匠师们的艺术创作,必然表现出特殊的艺术构建原则和表现形式。 本文在写作过程中以美术考古的理论方法为指导,结合北朝佛传故事图像的自身特点进行系统分析、综合研究。研究方法分以’下几个层次,一是利用传统考古学中类型学方法对北朝佛传故事图像资料进行分类梳理,寻找其阶段性和地域性变化,在此基础上进行分区与分期研究,以为之后的论述建立一个基本的资料架构。二是结合文献及相关材料,运用历史学研究方法,探讨北朝佛传故事艺术的发展过程、艺术风格及影响等问题。三是运用图像学等方法对北朝佛传故事艺术的功能与意义进行解读,以期全面复原北朝佛传艺术与当时思想观念、风俗习尚等的关系,并探讨北朝佛传故事对当时人们宗教意识和行为过程的影响。最后将北朝佛传故事图像研究与北朝社会、文化相链接,概括北朝佛传故事图像艺术的区域时代特点,以彰显北朝佛转故事艺术在东西文化交流中所起到的重要作用。 北朝佛传故事图像内容丰富,是中华民族的优秀文化遗产,是人类古代文明的智慧结晶,对北朝佛传故事图像的时代社会背景、内容形式、艺术风格等问题进行系统的深入探讨,可为我们继承发扬优秀民族文化传统提供借鉴。
[Abstract]:In this paper, based on the previous researches, starting from the angle of art archaeology, system arrangement and analysis of the related data of the Northern Dynasties Buddhist story image art, on the basis of the study area, the establishment of time-space frame stories of Buddhism development, summarized the era and regional characteristics, and combined with the history the literature and the related image data on the interpretation of the typical theme and image system, and then discusses the development process involved in the Northern Dynasties Buddhist story image art in the artistic style, ethnic fusion, issues related to cultural inheritance and the exchange and religious belief.
This paper is divided into the following parts: the stories of Buddhism art image, the significance and the present research situation, and puts forward the framework and research methods of the Buddhist story of image art; two, describes the classification of the Buddhist story content and artistic image of the theme, the Northern Dynasties of the Buddha according to the analysis of image story art sculptures and murals of two kinds of artistic techniques, explore its composition characteristics, and finishing the Buddhist story the art of image partition and staging; three, study the story art style and aesthetic ideas of the Buddha in the basic content and the characteristics of clear layout on; four, through the typical stories of Buddhism art of Northern Dynasties so as to demonstrate the view of life stories of Buddhism embodied in the salvation and the thought of loyalty and filial piety; five, the relationship between political power and Buddhist Minorities Research in the north, Culture and Han culture spread to the north and the relationship between the Northern Dynasties, the Buddhist story image art and cultural exchange; six, summarized the Buddhist story of Northern Dynasties that affect the image of art.
Through systematic research on the Buddhist story of image art, a comprehensive study found that the Northern Dynasties Buddhist stories in Buddhist art at that time occupied an important position, the large number of the Buddhist story. Through literature and cases; physical examination, that during this period the Buddhist story content features is largely at the time of culture and arts, aesthetic thought the concentration of the Buddha in Yungang Grottoes. Highlight the sixth grotto sculptures and murals in cave 290th of Mogao Grottoes as the representative of the story of image art keenly reflect changes in ideology of that era, with its exquisite technique, directly reflects the ideology of the Northern Dynasties. Through the investigation demonstrated that the Buddhist story appeared in the grotto sculpture painting, religious art, and the royal family is the dominant ideology, religious beliefs are closely related. The Northern Dynasties minority regime of West and East North Area by conquest, absorbed in these areas and cultural traditions. As the political center to the south. The rule for the needs of the institutions, cultural beliefs, religion and art continue to absorb new elements, and the gradual integration with the traditional Chinese culture, establish a national minority and the Han nationality common acceptance the essence of cultural patterns. The stories of Buddhism art is based on the cultural inheritance and the religious belief on the basis of the contents of the Buddhist story in the Buddhist scriptures describe roughly the same, but the development of Buddhism in different periods and different evolution of art and craft level of craftsmen of artistic creation, is bound to show the principle and the construction of special artistic form.
鏈枃鍦ㄥ啓浣滆繃绋嬩腑浠ョ編鏈，
本文编号：1638848
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