近十年来的元代色目文化研究
发布时间：2019-07-09 18:18
【摘要】：正色目人是元朝对除蒙古以外的西北各族、西域以至欧洲各族人的概称。"色目"一词源于前代,意为"各色名目"。元人使用"色目人"之名,就是指其种类繁多。本文所考察的色目文化,指的是色目人的文化,包括色目人的科技知识、医药饮食、语言文字、建筑及艺术。学界对色目文化的研究,主要集中在科技、语言、文献(文字)三个方面;色目文化与中原文化的融合与冲突,亦是学者研究色目文化的切入点。本文拟从这四个角度入手,就笔者目力所及,对2006—2015年十年间海内外
[Abstract]:The positive color person is the general name of the northwest, the western region and even the European ethnic groups in the Yuan Dynasty. The word "color object" originated from the previous generation, meaning "all kinds of color names". Yuan people use the name "color man", that is to say, there are many kinds of them. The color culture investigated in this paper refers to the culture of color people, including their scientific and technological knowledge, medicine, diet, language, architecture and art. The academic research on color culture mainly focuses on science and technology, language and literature (writing). The integration and conflict between color culture and Central Plains culture is also the starting point for scholars to study color culture. This paper intends to start from these four angles, as far as the author's vision is concerned, for the ten years from 2006 to 2015 at home and abroad.
【作者单位】： 南京大学历史学院;
【分类号】：K247
，
本文编号：2512348
[Abstract]:The positive color person is the general name of the northwest, the western region and even the European ethnic groups in the Yuan Dynasty. The word "color object" originated from the previous generation, meaning "all kinds of color names". Yuan people use the name "color man", that is to say, there are many kinds of them. The color culture investigated in this paper refers to the culture of color people, including their scientific and technological knowledge, medicine, diet, language, architecture and art. The academic research on color culture mainly focuses on science and technology, language and literature (writing). The integration and conflict between color culture and Central Plains culture is also the starting point for scholars to study color culture. This paper intends to start from these four angles, as far as the author's vision is concerned, for the ten years from 2006 to 2015 at home and abroad.
【作者单位】： 南京大学历史学院;
【分类号】：K247
，
本文编号：2512348
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