新世纪少数民族诗歌的空间观照

发布时间：2018-03-16 22:44

本文选题：新世纪　切入点：少数民族诗歌　出处：《阜阳师范学院》2017年硕士论文　论文类型：学位论文

【摘要】：新世纪以降,现代性话语在各边远民族区域的深度播撒,少数民族群体日益面临着传统空间解体和难以融入其他异质空间的尴尬,城市化步伐加速更使得他们在传统空间和城市空间彼此碰撞下难以找到“栖息之地”,而不得不处于漂泊、归属感缺失状态。或者说,由空间混杂所形塑的认同焦虑成为他们最为切己性的现代性体验,传统与现代、本土与全球,自我与他者的冲突与缠绕、矛盾与调适、碰撞与颠覆等使得少数民族群体的生活经验与情感体验较之前发生了根本性改变。诗歌是社会生活最迅捷、最敏锐的审美反映形式。从空间角度对新世纪少数民族诗歌予以研究,不仅可以理清其生成背景、叙事艺术及书写范式等问题,还可以探寻其书写意义及深层原因、趋势、存在问题等。论文主要研究内容有“绪论”、“第一章:新世纪少数民族诗歌的传统空间书写”、“第二章:新世纪少数民族诗歌的城市空间书写”、“第三章:新世纪少数民族诗歌的空间书写模式”。“绪论”部分包括:对论文的研究缘起、研究意义、研究现状、研究方法等问题的简要概括。着重探讨了空间理论介入新世纪少数民族诗歌研究的可能,以及由此而带来的诸多新发现,新思考。第一章包括第一节:新世纪少数民族诗歌的“外来者”书写;第二节:新世纪少数民族诗歌的“悸动者”书写。首先论述了少数民族诗歌由颂歌体写作到族群文化自觉书写的转变及背景、原因等,然后分析了新世纪少数民族诗歌书写传统空间的深层次原因,接着分析了传统空间中的典型形象“外来者”在诗歌中的表现、特点和“外来者”对传统空间的冲击;最后论述了“悸动者”如何加速传统空间瓦解等。第二章包括第一节:新世纪少数民族诗歌的“恐慌者”书写;第二节:新世纪少数民族诗歌的“逃离者”书写;第三节:新世纪少数民族诗歌的“第三空间”书写。首先说明在时代背景下传统空间中的少数民族成员不得不进入城市空间中的原因及其对城市的不适应而产生的恐慌和逃离情感,然后论述了其为何恐慌、在新世纪少数民族诗歌中怎样描绘“恐慌者”的;最后是城市空间中的“逃离者”形象,分析了为何要逃离及其形象的书写和逃往哪里。第三章是对新世纪少数民族诗歌空间书写模式的论述。总体看来,尽管新世纪少数民族诗歌执着于空间问题书写,但对少数民族群体而言,他们的空间焦虑同时也是一种时间焦虑。因为,就少数民族群体而言,他们是在尚未充分做好接纳现代性准备的情况下而被强行纳入其运作逻辑的,由此引发诸多的不适或困惑。在这种现代性焦虑面前,少数民族诗人很可能通过传统和现代空间的划界方式来建构族群认同,传统空间与现代空间的对比性叙事在少数民族诗歌中便以经典的“从前——现在”作为表征。这样,新世纪少数民族诗歌的空间书写便转化为两种最为基本的书写模式:第一节:“从前——现在”书写模式;第二节:“他者——自我”书写模式。当然,上述各章节的界定与概述,只是一种粗线条的勾勒,其内在问题的复杂性及表现形式的多重性远非本文所能涵括。
[Abstract]:In the new century, the discourse of modernity in the depth of seeding in remote ethnic areas, minority groups increasingly faced with the disintegration of the traditional space and it is difficult to integrate into the other heterogeneous space of embarrassment, accelerating the pace of city makes them more in the traditional space and city space collide with each other under the difficult to find the "Habitat", and have to drift and lack of sense of belonging. Or, by the space of hybrid identity shaped by anxiety become their most modern experience of personal, traditional and modern, local and global, self and other winding and conflict, contradiction and adjustment, collision and subversion makes minorities life experience and emotion compared to the previous experience have fundamentally changed the social life. Poetry is the fastest, the most acute form of aesthetic reflection. To study the new century minority poetry from the perspective of space, not only to clarify the The generation background, narrative art and writing paradigm and other issues, can also explore the significance of writing and the underlying reasons, trends, problems and so on. The main contents of the paper are "Introduction", "the first chapter: the traditional spatial writing in new century" minority poetry, "the second chapter: city space writing" new century minority poetry the third chapter: the minority poetry writing of space mode "in the new century. The introduction includes: the research origin, research significance, research status, research methods are briefly summarized. Discusses the national minority poetry intervention new century space theory, and thus bring new thinking many new discoveries, including the first section. The first chapter: the new century minority poetry" outsiders "writing; section second: new century minority poetry" throbbing "writing. First discusses The national minority poetry by writing to the ode body transformation and background, ethnic cultural consciousness writing and other reasons, and then analyzes the deep-seated reasons of the new century minority poetry written in the traditional space, then analyzes the typical image of "traditional space outsiders" in poetry expression, characteristics and impact of "foreign" the traditional space; finally discusses the "thrill" how to speed up the collapse of the traditional space. The second chapter includes the first section: the new century minority poetry "panic" writing; section second: Minority Poetry "from the" new century writing; section third: new century minority poetry "third space" first of all ethnic minority members. Writing in the traditional space under the background of the reason had to enter in the city space and not adapt to the city caused panic and flee the emotion, then discusses the Why the panic in the new century, the national minority poetry in how to describe the "panic"; finally is the city space in the "escape" image, analyzes why to escape and write the image and where to flee. The third chapter is about the writing pattern of minority poetry in the new century are discussed. Overall, though the new century minority poetry space dedicated to writing, but the minority groups, their anxiety space is also a time of anxiety. Because the minority groups, they are not yet fully accepted in modern preparation under the condition of forced into the operation logic, this caused a lot of not suitable or confused. In the face of this modern anxiety, minority poets may construct the ethnic identity by way of delimitation of traditional and modern space, traditional and modern space of space Comparison of narrative in the minority poetry with the classic "before now." as a characterization of such space, writing in the new century minority poetry will be transformed into the two most basic writing mode: the first section: "in the past, now" writing mode; section second: "other self" writing mode of course., definition and overview of each of these chapters, is only a rough outline of the outline, the inherent complexity of the problem and the multiplicity of forms is far from this paper can include.

【学位授予单位】：阜阳师范学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.25

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