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“告白”、“虚构”与“写实”——重新评价《棉被》的文学史意义

发布时间:2018-11-11 21:28
【摘要】:正 围绕田山花袋《棉被》的评价一直众说纷纭。持肯定意见的论者认为《棉被》的大胆“告白”深刻地表现了人的本性和生活的真实性,并促进了写实主义文学在日本的发展。但恰好是这一“告白”的方式又受到反对者的攻击,认为“告白”不仅缺乏艺术性的创造,而且还剥离了欧洲写实主义小说应具备的广阔的社会视野和虚构;是日本近代文学发展的一个“挫折”。后一种意见代表了现在一般文学史的主流看法。不难看出,在争论的双方“告白”一词对评价《棉
[Abstract]:There are different opinions about the evaluation of Tian Shan Hua bag (cotton quilt). Those who hold positive opinions believe that the bold "confession" of "quilt" profoundly expresses human nature and the authenticity of life, and promotes the development of realism literature in Japan. However, it is precisely this way of "confession" that is attacked by its opponents, who think that "confession" is not only lack of artistic creation, but also stripped of the broad social vision and fiction that European realism novels should possess. It is a setback in the development of modern Japanese literature. The latter view represents the mainstream view of the present general literary history. It is not difficult to see that the word "confession" on both sides of the dispute is used to evaluate the "cotton"
【作者单位】: 北京师范大学外语系
【分类号】:H36

【共引文献】

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1 于启宏;论文革后的中国自然主义文学[D];北京师范大学;2004年

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