论彭浩翔电影叙事中的“平衡”策略
发布时间：2018-11-25 10:36
【摘要】：从“破事儿”系列到“小团圆”系列,彭浩翔的电影作品始终围绕个体与他人、与社会的关系展开故事,反对程式化情节和模式化人物,运用独创性的电影语言,在叙事手法和镜头语言上秉持“平衡”策略,利用多种元素解构重组、类型叙事嫁接挪用、角色关系错位突变等制造黑色幽默,通过“彭氏营救”修补后现代叙事的圆形缺口和道德误差,回归主流价值和现实语境,达到了艺术个性和商业品质之间的介质融合。
[Abstract]:From the "broken things" series to the "little reunion" series, Peng Haoxiang's film works have always revolved around the relationship between individuals and others, and social relations, opposing formulaic plots and stereotypical characters, and using original film language. In the narrative techniques and lens language, the strategy of "balance", the use of a variety of elements to deconstruct reorganization, type narrative graft misappropriation, role mismatch mutation and so on to create black humor. By repairing the circle gap and moral error of post-modern narration in "Pang's Rescue", returning to mainstream value and realistic context, the media fusion between artistic personality and commercial quality is achieved.
【作者单位】： 河南大学;
[Abstract]:From the "broken things" series to the "little reunion" series, Peng Haoxiang's film works have always revolved around the relationship between individuals and others, and social relations, opposing formulaic plots and stereotypical characters, and using original film language. In the narrative techniques and lens language, the strategy of "balance", the use of a variety of elements to deconstruct reorganization, type narrative graft misappropriation, role mismatch mutation and so on to create black humor. By repairing the circle gap and moral error of post-modern narration in "Pang's Rescue", returning to mainstream value and realistic context, the media fusion between artistic personality and commercial quality is achieved.
【作者单位】： 河南大学;
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