残雪小说中的“暗夜”书写

发布时间：2018-04-26 13:08

本文选题：残雪小说 + 暗夜书写　；参考：《浙江师范大学》2015年硕士论文

【摘要】：残雪写作三十年,其小说历经80年代、90年代、新世纪以来的变(题材的日益生活化)与不变(“暗夜”书写方式的不变),笔者于此将“暗夜”书写定义为黑夜时间下的叙写。众所周知,大部分小说的叙事时间大都从白天开始,而残雪的小说特别偏爱暗夜下的叙述。无论是前期的《山上的小屋》还是新世纪以来的若干中长篇,“暗夜”书写都是残雪小说的重点,幻觉、梦魇时常充溢其小说中。残雪为何采取此种而非它种方式,残雪小说人物身份为何如此扑朔迷离?残雪小说叙事时间又缘何频定于夜晚?对这些问题的探讨研究不仅有助于厘清残雪小说意在传达的理念,在某种程度上也许还能使我们更独到的领悟残雪独特的精神世界,从而更清晰地看见残雪。鉴于此,本文拟从四个部分来论述“残雪小说中的‘暗夜’书写”。第一章首先论述残雪小说中“暗夜”书写的成因。残雪是一个略显怪异的作家,她独特文风的形成与湘地巫灵传统不无关系。她作品中的荒诞、怪异色彩应是楚地文化不自觉留下的烙印。第二节从残雪独特的个人气质出发,探寻残雪小说“暗夜”书写的成因,此节将着重于残雪幼时生活对残雪“暗夜”书写的影响。第三节探寻西方现代、后现代叙事对残雪的影响。“暗夜”书写的形成与上述因素密不可分。第二章在承前的基础上,对残雪小说人物在暗夜下的心灵漂泊加以分析。本章第一节论述暗夜下的孤独与徘徊。残雪作品中的小说人物白天与黑夜的情形下常有不同的行为表现,白天看来与普通人无异的人物常在黑夜中行走、漫步、哭泣。第二节论述残雪小说中人们黑夜情境中的行为正是寻找不受世俗约束的真我之途径,是对白天受挤压心灵的抚慰。第三章论述残雪小说人物内心在暗夜下的隐秘欲望。本章将援引弗洛伊德无意识学说加以分析,认为黑夜下人们的行为正是内心欲念驱动下的表现。即暗夜下人物的行为是在除去白天自我、超我的约束下自我的放纵,它主要受快乐原则的操纵,最大程度追求自我欲念的满足。本章分两节论述残雪小说中人物的欲望。第一节从无意识角度探寻小说人物欲望。第二节从暗夜下的追寻——自我欲望的表现,探寻人物实现欲望的途径。第四章将分两节论述作品中人物为实现欲望的找寻途径——暗夜中的寻找。暗夜中人们的寻找是其欲望的表现,也是自我确认、自我认证得以实现的有力途径。本章第一节论述对圣境的追寻,第二节论述对圣境苦苦追寻的不得。结语将简短论述残雪“暗夜”书写的魔力：叙事的陌生化效应。英国文艺批评家克莱夫·贝尔说形式是有意味的。笔者认为残雪迥异众人的“暗夜”书写方式的采用拉开了日常经验与叙述的距离,产生了一种全新的陌生化的审美体验。在消解俗套“套版效应”的同时,给读者造成了一种新奇的陌生化效果。“暗夜”书写不仅营造了一种紧张、新奇的叙事氛围,对残雪小说的主题：揭示人类灵魂的主题也起到了一种“工巧无以过之”的妙用。残雪声称自己的小说都是关于灵魂的叙事,写人性的小说,归属于实验文学。本文重点分析残雪小说中的“暗夜”书写,以期更独到体悟残雪独特的精神世界,从而更近距离逼近残雪。
[Abstract]:After thirty years of writing, his novels have been written in the 80s, 90s, the change of the new century and the constant ("dark night" writing). The author defines the "dark night" writing as a narratives under the night time. It is well known that most of the novel's narrative time begins in the daytime, while the novel is snow. In particular, it favors the narrative of the dark night. Whether it is "the cottage" in the early days or a number of long stories in the new century, the writing of "dark night" is the focus of the novel. The study of these questions will not only help to clarify the idea of the novel intended to convey, but also to a certain extent can make us more unique in understanding the unique spiritual world of the snow, and thus more clearly see the snow. In view of this, this article is to discuss "the novel in the four parts." The first chapter discusses the cause of the writing of "dark night" in the novels of the cripple snow. The snow is a slightly strange writer. The formation of her unique style is closely related to the tradition of the witchcraft of the Hunan and Hunan. The absurdity and the weird color in her works should be the imprint of the unconsciously left of the Chu culture. The second section is from the unique personal temperament of the snow. This section will focus on the influence on the writing of the "dark night" of the Xue Xue's young life. The third section explores the influence of western modern and post-modern narration on the snow. The formation of "dark night" is closely related to the above factors. On the basis of the preceding paragraph, the second chapters are on the characters of the snow novels. The first section of this chapter discusses the loneliness and wandering under the dark. The novel characters in the works of the snow often have different behavior in the daytime and night. In the daytime, the characters that are different from the ordinary people often walk, walk, and cry in the night. The second section discusses the night situation of the people in the snow novels. The behavior is the way to find the true self that is not bound by the secular discipline, the comfort of the pressed soul in the daytime. The third chapter discusses the secret desire of the characters in the snow novels under the dark night. This chapter will give an analysis of Freud's unconsciousness theory and think that the behavior of the people under the night is the manifestation of the inner desire driven by the dark night. The behavior of things is to remove the self in the daytime and self indulgence under the restraint of superego. It is mainly controlled by the principle of happiness and the pursuit of the satisfaction of self desire. In this chapter, the desire of the characters in the novel is discussed in two sections. The first section explores the desire of the characters in the novel from the unconsciousness angle. The second section is the pursuit of the self desire under the dark night. The fourth chapter will discuss the way to find the desire in the works - the search for the desire in the dark night. The search for the people in the night is the expression of its desire. It is also a powerful way of self confirmation and self authentication. The first section of this chapter discusses the pursuit of the Holy Land and the second section. The conclusion will give a brief description of the magic power of the writing of the "dark night" in the snow: the strange effect of narration. The English literary critic Clive Bell said that the form of the English literary critic is meaningful. The new and unfamiliar aesthetic experience has created a new strangeness effect while eliminating the common set of "stereotypes". "Dark night" writing not only creates a kind of tension, a novelty narrative atmosphere, but also the theme of the novel: the theme of revealing the human soul is also a kind of "unskilled". It claims that his novels are all about the narration of the soul, the novels of the human nature, and the experimental literature. This article focuses on the analysis of the "dark night" in the novels of the snow in order to realize the unique spiritual world of the snow, and thus closer to the snow.

【学位授予单位】：浙江师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

【共引文献】