从“小太阳”到“中国太阳”——当代中国科幻中的乌托邦时空体

发布时间：2018-04-27 22:45

本文选题：中国科幻 + 乌托邦时空体　；参考：《中国现代文学研究丛刊》2017年04期

【摘要】：本文的讨论对象是中国当代科幻中的一种特定的乌托邦时空体。一方面,这种时空体决定了不同作品在创作模式方面的相似性,另一方面,它也反映出特定历史时期人们理解世界和想象未来的方式。本文从这一角度入手,重新解读了建国以来一系列代表性科幻文本,包括两部电影《十三陵水库畅想曲》(1958)和《小太阳》(1963),两部长篇小说《小灵通漫游未来》(1978)与《战神的后裔》(1983),以及三部中篇小说《共产主义畅想曲》(1958)、《火星三日》(2001)和《中国太阳》(2002)。通过分析这些作品中的乌托邦时空体如何被建构,如何在自我呈现和发展的过程中暴露出裂隙与空白,如何发生断裂,又如何在断裂的同时以碎片、踪迹、或“幽灵”的形式延续,本文试图展现出当代中国的乌托邦想象与集体性的“政治无意识”之间的关系。
[Abstract]:The object of this paper is a specific Utopian space-time body in contemporary Chinese science fiction. On the one hand, this space-time style determines the similarity of different works in the creation mode, on the other hand, it also reflects the way in which people understand the world and imagine the future in a particular historical period. From this point of view, this paper reinterprets a series of representative sci-fi texts since the founding of the people's Republic of China. It includes two films, "the Ming Tombs Reservoir Fantasy" (1958) and "Little Sun" (1963A), two novels "PHS roam the Future" (1978) and "the descendant of the God of War" (1983), as well as three novella "Communist Fantasy" (1958), "Mars 3 days" (2001) and "the Chinese Sun" (2002). By analyzing how the Utopian space-time bodies in these works are constructed, how to expose cracks and gaps in the process of self-presentation and development, how to break, and how to break at the same time as fragments, traces, Or "ghost", this paper tries to show the relationship between the Utopian imagination of contemporary China and the collective "political unconscious".
【作者单位】：西安交通大学人文社会科学学院;

【相似文献】