云南纸马艺术造型的趣味性探究

发布时间：2018-01-21 11:27

本文关键词： 云南纸马文化造型审美趣味发展　出处：《山东大学》2017年硕士论文　论文类型：学位论文

【摘要】：云南纸马是云南地区民众进行宗教祭祀、驱邪消灾、祈求福祉活动时用来焚烧的民间木刻雕版印刷品。它是体现民间宗教、巫术信仰、民俗文化的民俗用品,也是独具民族特色的民间艺术表现形式,在其粗犷、古拙艺术形象中,包含了劳动人民单纯质朴的情感与乐观豁达的人生智慧。千百年来,云南纸马艺术陪伴着当地民众世代生息繁衍,同时,它也见证着中华民族悠久灿烂的传统民间文化的成长,其内容涵盖了民众物质生活与精神生活的各个方面,是一份宝贵的民间文化遗产,也是中华民族文化之林中的一道独特的风景线。云南纸马在云南当地民众的宗教信仰影响下,曾拥有过辉煌的历史。在现代文明高度发展的今天,云南纸马艺术渐渐淡出人们的视野,只在云南部分偏僻的地区依然流行着,其现实发展形势不容乐观的现状是毋庸置疑的,其原有的实用性价值俨然与当今的生活环境格格不入。那么,如何赋予云南纸马艺术新的生命值得我们深思。本论文从审美的视角对云南纸马艺术的造型趣味性进行研究,结合西方美学的相关理论知识去理解审美趣味性在云南纸马艺术造型中的表现问题。论文分四个章节对云南纸马艺术进行深入探究,首先,对"纸马"进行了综合概述,其中包括纸马的称谓问题和纸马中的文化内涵,通过追溯历史对云南纸马艺术产生的历史源流、思想文化背景和物质条件进行梳理和探求,进而挖掘出云南纸马艺术造型产生的文化生态环境要素和物质基础,即:云南纸马的制作材料和工艺。然后,引入西方美学中的"趣味"概念,并对"趣味"和审美趣味的具体含义进行了阐述,依据法国著名文艺理论家丹纳审美趣味的三要素——种族、环境、时代的言论,探求决定云南纸马艺术造型审美趣味的决定因素。在此基础上,着重论证了其造型审美趣味在形式和艺术表现手法两个方面的体现。最后,通过前三章的研究,本文对云南纸马艺术对当代美术创作的启发进行了总结,并结合云南当地的自然条件、社会发展状况和传统民间艺术的发展现状,对云南纸马艺术的传承与发展问题提出了相关的建议和展望,体现了本论文研究的现实意义。
[Abstract]:Yunnan papyhorse is a folk woodcut engraved print used by people in Yunnan to perform religious sacrifices, exorcate evil spirits and eliminate disasters, and pray for welfare activities. It is a folk product that embodies folk religion, witchcraft belief and folk culture. Is also the unique national characteristics of folk art expression, in its rough, ancient art image, including the simple simple feelings of the working people and optimistic wisdom of life for thousands of years. Yunnan paper-horse art accompanied by the local people for generations to multiply, at the same time, it also witnessed the growth of the Chinese nation's long and splendid traditional folk culture, its content covers the material and spiritual life of the people in all aspects. Is a valuable folk cultural heritage, but also a unique landscape in the forest of Chinese culture. Yunnan paper horse under the influence of the religious beliefs of the local people in Yunnan. Had a glorious history. In the modern civilization highly developed today, Yunnan paper horse art gradually fade out of people's vision, only in some remote areas of Yunnan is still popular. Its actual development situation is not optimistic of the current situation is beyond doubt, its original practical value has become incompatible with today's living environment. How to give a new life to Yunnan paper-horse art is worth our thinking. This paper studies the interest of Yunnan paper-horse art from the aesthetic point of view. Combined with the relevant theoretical knowledge of western aesthetics to understand the performance of aesthetic interest in the artistic modeling of Yunnan paper horse. The paper is divided into four chapters to explore the art of Yunnan paper horse. First of all. This paper gives a comprehensive overview of "paper horse", including the appellation of paper horse and the cultural connotation of paper horse, and traces back to the history of Yunnan paper horse art. The ideological and cultural background and material conditions were combed and explored, and then excavated the cultural ecological environment elements and material basis of Yunnan paper-horse art modeling, that is: Yunnan paper-horse production materials and technology. Then. This paper introduces the concept of "interest" in western aesthetics, and expounds the concrete meaning of "taste" and aesthetic taste, according to the three elements of French literary and art theorist Dana's aesthetic taste-race, environment. On the basis of this, the author emphatically demonstrates that the aesthetic taste of Yunnan paper-horse art is embodied in two aspects: form and artistic expression. Through the study of the first three chapters, this paper summarizes the inspiration of Yunnan paper-horse art to contemporary art creation, and combines the local natural conditions, social development and the development of traditional folk art. This paper puts forward some suggestions and prospects for the inheritance and development of Yunnan paper-horse art, which reflects the practical significance of this paper.
【学位授予单位】：山东大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J528.2

【相似文献】