明清传奇“三言戏”研究

发布时间：2018-03-11 15:27

本文选题：“三言戏”　切入点：《三言》　出处：《华侨大学》2017年硕士论文　论文类型：学位论文

【摘要】：冯梦龙的白话短篇小说《三言》出版后,受到了文人与市民的广泛欢迎,小说中的不少篇目经文人改编为戏曲而搬上舞台,这些“三言戏”颇受观众欢迎,其中经典之作至今仍活跃在舞台上,成为中国古典戏曲中的珍宝。遗憾的是,“三言戏”的研究在学界还没有引起足够的重视,不少学者已经注意到《三言》与戏曲题材之间的承袭关系,但“三言戏”的研究却处在学术研究的边缘,被排斥在《三言》的研究和戏曲作品的研究之外。“三言戏”剧目数量大,内容丰富,将“三言戏”作为一个独特的视角进行研究,不仅可以加深我们对冯梦龙所作《三言》的了解,又能解决戏曲研究不足的问题。明清时期据《三言》改编的戏曲成就最突出者应属明清传奇中的“三言戏”,本论文首先根据前人的资料考辨明清传奇“三言戏”剧目,包括现存剧目与已佚剧目。与此同时从古典戏曲选本中找出收录的明清传奇中的“三言戏”,揭示戏曲选本在文献上的独特价值。其次,文章详细分析了明清“三言戏”的改编与传播,包括“三言戏”改编与传播的历史环境,剧作家改编“三言戏”的目的及其改编方式,之后又探讨了戏曲对小说同一题材的改编得失。还分析了“三言戏”在舞台传播中的演出形式的变化以及演出地域特点,最后论述了优伶演绎与观众观赏在“三言戏”传播中所起的重要作用。本文最后一章写了明清传奇“三言戏”的戏曲艺术,分别介绍了“三言戏”的结构特点和语言特色,“三言戏”的结构又包括情节结构与排场结构,而语言特色既有生动的市民语言,也包括雅静的文人语言,“三言戏”作者所追求戏曲语言是既清丽又晓畅,这是为了让剧本适应舞台演出,符合平民审美趣味。
[Abstract]:After Feng Menglong's vernacular short story "three words" was published, it was widely welcomed by the literati and the public. Many of the scriptures in the novel were adapted for drama and moved onto the stage. These "three-character plays" were very popular among the audience. The classics are still active on the stage and have become a treasure in Chinese classical operas. Unfortunately, the study of "three words" has not attracted enough attention in academic circles. Many scholars have noticed the inheritance relationship between "three words" and the theme of opera, but the study of "three words" is on the edge of academic research. Excluded from the study of "three words" and the study of opera works. "three characters" plays have a large number and rich contents, so the study of "three words" is a unique angle of view. Not only can we deepen our understanding of Feng Menglong's "three words", In the Ming and Qing dynasties, the most outstanding achievements of the opera adaptation should be the "three characters" in the legend of the Ming and Qing dynasties. This paper first studies and distinguishes the drama of the "three words" of the Ming and Qing dynasties according to the previous data. Including the existing repertoire and the lost repertoire. At the same time, from the selected anthology of classical operas, we can find out the unique value of the anthology of opera in the literature. Secondly, we will find out the unique value of the three characters in the legends of Ming and Qing dynasties. The article analyzes in detail the adaptation and dissemination of "three characters" in Ming and Qing dynasties, including the historical environment of adaptation and dissemination of "three words", the purpose of dramatists' adaptation of "three words" and their adaptation methods. After that, it discusses the success and loss of the adaptation of the same theme of the novel, and also analyzes the changes of the performance form and the regional characteristics of the performance in the stage communication of "three characters". Finally, the paper discusses the important role played by the interpretation of excellent Ling and the viewing of audience in the dissemination of "three characters". The last chapter of this paper describes the drama art of the legendary "three words" in the Ming and Qing dynasties. This paper introduces the structure and language characteristics of "three words" respectively, the structure of "three words" includes plot structure and field structure, and the language features have vivid citizen language. Also including elegant literati language, the author of "three words" pursues the opera language is both beautiful and clear, this is to make the script adapt to stage performance, in line with the aesthetic taste of the common people.
【学位授予单位】：华侨大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

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