莫言的诗意写作研究

发布时间：2018-04-02 17:33

本文选题：莫言　切入点：诗意写作　出处：《东南大学》2015年硕士论文

【摘要】：2012年成功斩获“诺贝尔文学奖”的首位中国籍作家莫言,以其语言的独特性和文体的多样化一直为文坛所热议。自1981年首次发表作品以来,莫言的文学生涯已历经三十余年,从起步之初到成熟之后,再到问鼎“诺贝尔文学奖”,莫言的写作风格一直处在不断变化之中。从最初的“抒情写意”,到中期的“书写社会现实”,直至最后的“语言狂欢”,莫言每个阶段的写作都带着自身的独特性。但是,不管其写作风格如何变化,他始终都没有放弃对现实生活的“诗意”书写。本文着重从语言、文体、内容等多个角度对莫言的作品进行梳理和解读,总结出了其作品中存在的“诗意”特征。在艺术手法上,莫言在文本中表现出了“意象性”“象征性”、“想象性”等特点：在表现形式上,“语言的节奏化”、“文体的歌谣化”、“语境的抒情化”构成了其文体上的“诗意”特色。本文共分为三章。第一章本文对“诗意”的内涵做了界定,并从“语言”和“文体”这两个角度对莫言笔下的“诗意”现象进行解读。第二章在莫言“诗意写作”的特点下本文还发现莫言不吝笔墨对“丑”的事物进行细致刻画,并主要通过“丑化意象”和“丑化主题”来凸显“丑”,最终通过“抒情语境”的塑造完成了从“现实之丑”向“诗意之美”的飞跃。第三章,本文从莫言的人生经历和生活环境上入手,探究其“诗意”写作的成因,并对其语言艺术风格的丰富性做了总结。
[Abstract]:Mo Yan, the first Chinese writer to win the Nobel Prize for Literature in 2012, has been a hot topic in literary circles for his unique language and diverse style.Since his first publication in 1981, Mo Yan's literary career has gone through more than 30 years. From the beginning to maturity, and then to winning the Nobel Prize for Literature, Mo Yan's writing style has been constantly changing.From the initial "lyric brushwork" to the "writing social reality" in the middle period, to the final "language carnival", Mo Yan's writing in each stage has its own uniqueness.However, no matter how his writing style changes, he never gives up his poetic writing of real life.In this paper, Mo Yan's works are combed and interpreted from language, style, content and so on, and the "poetic" features in his works are summarized.In terms of artistic techniques, Mo Yan shows the characteristics of "imagism", "symbolism" and "imagination" in the text: in the form of expression, "the rhythm of language", "the ballad of style", etc.The lyricism of context forms the poetic feature of its style.This paper is divided into three chapters.The first chapter defines the connotation of poetic meaning and interprets the poetic phenomenon in Mo Yan's works from the perspectives of language and style.In the second chapter, under the characteristic of Mo Yan's "poetic Writing", this paper also finds that Mo Yan does not hesitate to describe the "ugliness" in detail, and to highlight "ugliness" mainly through "Ugly Image" and "Ugly theme".Finally, the creation of lyric context completes the leap from "ugliness of reality" to "beauty of poetry".In the third chapter, starting from Mo Yan's life experience and living environment, this paper probes into the causes of his poetic writing, and summarizes the richness of his language art style.
【学位授予单位】：东南大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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