伊藤左千夫《野菊之墓》翻译实践报告

发布时间：2018-04-10 21:54

本文选题：野菊之墓 + 泰特勒　；参考：《南京大学》2017年硕士论文

【摘要】：本文是一篇关于文学作品《野菊之墓》的翻译实践报告。本报告针对该作品翻译过程中出现的不同理解,进行了分析与归纳,并总结了文学作品翻译的方法与经验,希望能为笔者今后的翻译之路打开新的一扇窗。《野菊之墓》是一部纯爱、悲恋小说。纯爱小说的特点是描写手法细腻,通常会通过人物刻画,环境描写等来烘托全文的情感色彩。在翻译过程中,对文中出现的日文中特有汉字固有名词、人物描写、环境描写等三方面的翻译进行了分析。本翻译实践报告尝试运用美国著名翻译家亚历山大·弗雷泽·泰特勒(Alexander Fraser Tytler)的"翻译三原则"来检验本次翻译实践。"翻译三原则"强调忠实于原作的思想、风格及流畅性。我国著名文学家茅盾曾经也提出,文学翻译是用另一种语言,把原作的艺术意境传达出来,使读者在读译文的时候能够如读原作时一样得到启发、感动和美的感受。笔者认为翻译文学作品,正如茅盾所说应该要让读者感受到原作的美;但与此同时,应在遵守泰特勒翻译三原则的基础之上,再现原作的美。在翻译该文学作品过程中,笔者正是想要解决如何让读者感受到原作的美这一问题。因此,笔者认为运用"翻译三原则"和适当的翻译方法能够比较好地诠释该作品的翻译实践。本报告主要由以下三部分构成:第一章主要从作家、作品的文化背景、故事情节三个方面介绍了翻译对象《野菊之墓》,说明了笔者在翻译该作品时,想要解决如何再现原作的美这一问题以及翻译文学作品需要注意的事项。第二章是关于文学翻译的特殊性与泰特勒"翻译三原则"的介绍。第一小节主要说明了文学翻译与其他翻译不同,其具有审美性,在翻译时一定要注意体现原文的审美性。第二小节全面介绍了泰特勒"翻译三原则",分别是:1)译文应完全复写出原文的思想;2)译文的风格与笔调应与原文的性质相同;3)译文应和原文同样流畅。最后,阐释了"翻译三原则"在《野菊之墓》中可以灵活运用的原因。第三章是结合泰特勒"翻译三原则",分成三个部分对《野菊之墓》翻译实践中的具体案例进行分析、阐释与归纳。首先,关于该作品中出现的特殊汉字固有名词,主要采取异化法与直译法的翻译手段进行分析。其次,采取加译、意译等翻译法,阐释泰特勒"翻译三原则"在人物描写中的运用。最后,环境描写烘托了整部作品的感情色彩,如何选择贴切的修饰词来烘托原作的氛围是一个难题,在此结合"翻译三原则",主要运用了直译、倒译、分译等翻译法对其进行翻译。总体而言,笔者在具体的句式、情景翻译中,尽量做到既忠实于原文,又能让读者感受到原作的美,很好地印证了泰特勒"翻译三原则"的运用。且在实践中不断总结经验,学习翻译理论,加强自己的翻译能力,力求完善译文。
[Abstract]:This paper is a practical report on the translation of "Tomb of Wild Chrysanthemum".This report analyzes and summarizes the different understandings in the process of translation, and summarizes the methods and experiences of literary translation.I hope to open a new window for the author's future translation. Tomb of Wild Ju is a pure love, sad love novel.Pure love novels are characterized by delicate descriptive techniques, which are usually characterized by characters and environmental descriptions to set off the emotional color of the full text.In the process of translation, this paper analyzes the translation of the unique Chinese characters inherent nouns, character descriptions and environmental descriptions in the text.This translation practice report attempts to test this translation practice by applying the three principles of Translation by Alexander Tytler Tytler, a famous American translator. "The three principles of Translation emphasize fidelity to the original idea, style and fluency.Mao Dun, a famous writer in China, once pointed out that literary translation is to convey the artistic conception of the original in another language, so that readers can be inspired, moved and beautiful when reading the original.The author holds that the translation of literary works should, just as Mao Dun says, let the readers feel the beauty of the original work, but at the same time, on the basis of abiding by the three principles of Tytler's translation, we should reproduce the beauty of the original work.In the process of translating the literary works, the author wants to solve the problem of how to make readers feel the beauty of the original works.Therefore, the author thinks that the translation practice can be better interpreted by using the three principles of Translation and proper translation methods.This report is mainly composed of the following three parts: the first chapter mainly introduces the author, the cultural background of the work, the story plot, the target of translation, the Tomb of Wild Ju, and explains the author's translation of the work.In order to solve the problem of how to reproduce the beauty of the original work and to translate literary works, attention should be paid to.Chapter two introduces the particularity of literary translation and Tytler's three principles of Translation.The first section mainly explains that literary translation is different from other translation, it is aesthetic, and must pay attention to the aesthetic nature of the original text in translation.The second section comprehensively introduces Tytler's "three principles of Translation", that is, the translation should completely duplicate the thought of the original text. (2) the style and tone of the translation should be the same as the nature of the original text; (3) the translation should be as fluent as the original text.Finally, the paper explains why the three principles of Translation can be used flexibly in Tomb of Wild Chrysanthemum.The third chapter combines Tytler's "three principles of Translation", divides into three parts to analyze the concrete cases in the translation practice of "Tomb of Wild Chrysanthemum", explains and induces.First of all, the translation methods of dissimilation and literal translation are used to analyze the idiosyncratic nouns in this work.Secondly, it explains the application of Tytler's "three principles of Translation" in character description by means of additional translation and free translation.Finally, the environment depicts the emotional color of the whole work, how to choose the appropriate modifier to contrast the atmosphere of the original is a difficult problem, in combination with the "three principles of Translation", the main use of literal translation, inverted translation,It is translated by different translation methods.In general, the author tries to be faithful to the original text and make readers feel the beauty of the original in the specific sentence structure and situational translation, which proves the application of Tytler's three principles of Translation.In practice, we should learn translation theory, strengthen our own translation ability, and strive to perfect the translation.
【学位授予单位】：南京大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：H36;I046

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