论新时期土家族小说的叙事艺术

发布时间：2018-10-23 13:09

【摘要】：土家族小说以独特的艺术风格步入文坛,发展至今,已经成为中国文坛不容忽视的一股重要力量。通过借鉴运用西方创作技法和探索创新中国小说的传统叙事手法,小说呈现出鲜明的民族特色和多样化的叙事特征。本文从叙事学的角度深入挖掘小说深厚的叙事内涵,展现灵活多变的叙事手法。绪论。简单介绍土家族小说的发展概况,并选取富有影响力的作家作品进行简要的论述。与此同时,将关于土家族小说的叙事学研究成果进行了细致梳理和详细归纳,总结研究之不足,突出本文的创新之处。第一章土家族小说鲜明的叙事态度。作家内心深处的社会责任感和忧患意识促使他们对社会现实作出积极反映,理性审视与批判民族陋习,努力追寻与建构现代文明,执着坚守与弘扬民族美德。第二章土家族小说独特的叙事意象。参照杨义先生关于叙事意象的分类标准,并结合具体的土家族小说文本,深入开掘土家族小说中的社会意象、民俗意象、神话意象所涵盖的土家族精神、土家族信仰、土家族历史。第三章土家族小说多方位的叙事视角。视角选择的正确与否直接关系到小说的成败,因此,土家族小说的创作者们进行了积极地探索与创新,通过视角的切换,给予读者别样的审美体验。以叙事视角的主体属性为分类依据,结合具体小说文本,土家族小说的叙事视角可以分为动物视角、儿童视角和巫神视角,创作者站在动物或儿童的立场观察、体悟现实世界,意欲建立和谐的生态理想、展示所遭受的种种现实创伤、呈现阻碍民族现代化进程的历史重负。第四章土家族小说多姿的叙事语言。叙事语言是叙事者完成叙述行为的工具,是连接读者的桥梁,是实现小说文本具体形态的重要方面。将小说叙事语言分为叙述性语言和人物语言,概括出土家族小说叙事语言的重要美学特征,突出表现诗性话语在营造诗意环境、方言土语在凸显人物形象的重要价值。
[Abstract]:Tujia novels, with their unique artistic style, have become an important force in Chinese literary world. By using Western creative techniques and exploring and innovating the traditional narrative techniques of Chinese novels, the novel presents distinct national characteristics and diverse narrative characteristics. This paper, from the perspective of narratology, deeply excavates the profound narrative connotation of the novel and shows flexible and changeable narrative techniques. Introduction This paper briefly introduces the development of Tujia novels, and selects influential writers and works to discuss briefly. At the same time, the narratology research results of Tujia novels are carefully combed and summarized in detail, the shortcomings of the research are summarized, and the innovation of this paper is highlighted. The first chapter is the narrative attitude of Tujia novels. The writer's deep sense of social responsibility and anxiety urges them to reflect the social reality, to rationally examine and criticize national bad habits, to pursue and construct modern civilization, and to persist in and carry forward the national virtues. The second chapter is the unique narrative image of Tujia novels. Referring to the classification standard of the narrative image of Yang Yi, and combining with the text of the Tujia novels, the author explores the social image, folk image, mythological image of Tujia nationality, and the Tujia nationality belief, which includes the social image, folk image, mythical image, etc. Tujia history. The third chapter is the narrative perspective of Tujia novels. Whether the angle of view is right or not is directly related to the success or failure of the novel. Therefore, the creators of Tujia novels actively explore and innovate, and give readers a different aesthetic experience through the change of visual angle. Based on the main attributes of narrative perspective, combined with the text of specific novels, the narrative perspective of Tujia novels can be divided into animal perspective, children perspective and witchcraft perspective, and the creator observes the real world from the standpoint of animals or children. It is intended to establish a harmonious ecological ideal, to show all kinds of realistic trauma suffered, and to present the historical burden that hinders the process of national modernization. Chapter four is the narrative language of Tujia novels. Narrative language is a tool for narrator to complete narrative behavior, a bridge to connect readers, and an important aspect to realize the concrete form of novel text. The narrative language of the novel is divided into narrative language and character language, which generalizes the important aesthetic features of the narrative language of Tujia novels, and highlights the important value of poetic discourse in creating poetic environment and dialect vernacular in highlighting the image of characters.
【学位授予单位】：湖北民族学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：I207.42

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