玻璃公共艺术《梦幻荷塘》创作方法研究
发布时间：2019-07-02 13:29
【摘要】：公共艺术是一个区域乃至一个城市文化的提炼,具有一定的地域性标识。近年来玻璃材料的应用成为了新兴的公共艺术形式。对于艺术家而言,从创作的动机、创作的意义到最终的呈现方式都与艺术家的个人艺术创作有很大区别的。本文的重点是对西湖文化广场中的玻璃公共艺术《梦幻荷塘》的创作过程进行研究。文中以艺术家为主体,从地域性与互动性两个角度对《梦幻荷塘》作品进行分析。重点是对玻璃公共艺术创作方法中区别于个人艺术创作方法的方面进行剖析。最后通过调查问卷的形式对于玻璃公共艺术《梦幻荷塘》加以分析,对作品与公众产生的互动性以及作品对于环境的改变进行调研反思。从而形成具有一定参考价值的玻璃公共艺术创作方法的理论思考。
[Abstract]:Public art is the extraction of a region and even a city culture, with a certain regional logo. In recent years, the application of glass materials has become a new public art form. For artists, from the motivation of creation, the significance of creation to the final way of presentation are very different from the artist's personal artistic creation. The focus of this paper is to study the creation process of glass public art "dream lotus pond" in West Lake Cultural Square. Taking the artist as the main body, this paper analyzes the works of Dream Lotus Pond from two angles of regionality and interaction. The key point is to analyze the aspects of glass public art creation methods which are different from individual art creation methods. Finally, through the form of questionnaire, this paper analyzes the glass public art "Dream Lotus Pond", and makes an investigation and reflection on the interaction between the works and the public, as well as the changes of the environment. In order to form a certain reference value of glass public art creation methods of theoretical thinking.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J527.3
本文编号：2508971
[Abstract]:Public art is the extraction of a region and even a city culture, with a certain regional logo. In recent years, the application of glass materials has become a new public art form. For artists, from the motivation of creation, the significance of creation to the final way of presentation are very different from the artist's personal artistic creation. The focus of this paper is to study the creation process of glass public art "dream lotus pond" in West Lake Cultural Square. Taking the artist as the main body, this paper analyzes the works of Dream Lotus Pond from two angles of regionality and interaction. The key point is to analyze the aspects of glass public art creation methods which are different from individual art creation methods. Finally, through the form of questionnaire, this paper analyzes the glass public art "Dream Lotus Pond", and makes an investigation and reflection on the interaction between the works and the public, as well as the changes of the environment. In order to form a certain reference value of glass public art creation methods of theoretical thinking.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J527.3
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1 李怡霏;玻璃公共艺术《梦幻荷塘》创作方法研究[D];中国美术学院;2015年
，本文编号：2508971
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