宋代院体花鸟画与当代工笔花鸟画“写实性”比较研究

发布时间：2018-05-21 20:08

本文选题：写实性 + 比较　；参考：《西南大学》2013年硕士论文

【摘要】：本论文以“写实性”的精神实质以及文化内涵为切入点,从宋代院体花鸟画作品与当代工笔花鸟画作品的“写实性”表现异同进行分析比较,详尽深入地对当代具有“写实性”特点的工笔花鸟画的发展与存在问题进行讨论。对宋代院体花鸟画与当代工笔写实性花鸟画的比较研究中,对我们认识、反思和发展中国当代工笔花鸟画绘画语言的深度具有一定意义。首先,本文从宋代院体花鸟画和当代工笔花鸟画所要比较的关键词“写实性”着手,界定“写实性”在本文中的具体所指；其次,从二者在“写实性”特点上的相同之处进行陈述,分为“求真”之同和表现手法之同两个部分；然后,比较分析二者“写实性”的差异性,从取材方式、空间表达、图式语汇、题跋拓印四个方面进行比较研究,找出不同；最后,通过比较研究得出结论,提出当代工笔花鸟画“写实性”精神的消减与缺失的思考以及对当代工笔花鸟画创新与发展的启示。笔者运用图像分析法,通过参观博物馆、图书馆、各类中国画作品展,筛选出部分具有代表性与本研究有关的图像做评委本文的研究对象；并查阅有关宋代画论、花鸟画著作以及其他相关理论文献,为研究宋代院体花鸟画的背景找到理论依据；此外,运用比较研究法,对两个时期的花鸟画作品进行深入的比较、归纳,分析作品富有的“写实性”特点的真正价值。通过比较研究,得出结论：尽管宋代院体花鸟画与当代工笔花鸟画都在工笔表现之内,都具有“求形似”、“求真”的共性,但通过“工笔”表现出的“写实性”的特点而得出的观点是有差异的。当代工笔花鸟画它必定随着时代的发展而变化,其涉及的不仅仅是单纯地绘画形式语言的规律,而是一种当代精神的彰显,同时要不断反思当代工笔花鸟画中“写实”精神的缺失,对传统宋代院体花鸟画“写实性”绘画语言进行吸纳和重构。
[Abstract]:Based on the spiritual essence and cultural connotation of "realism", this paper analyzes and compares the similarities and differences between the "realism" and the "realism" of the Flower and Bird painting works of the Yuan and the contemporary fine brushwork in the Song Dynasty. The development and existing problems of contemporary flower-and-bird paintings with realistic features are discussed in detail and in depth. In the comparative study of the style flower and bird painting in the Song Dynasty and the realistic flower and bird painting in the contemporary meticulous brushwork, it is of certain significance for us to understand, reflect on and develop the depth of the painting language of the contemporary fine brush flower and bird painting in China. First of all, this paper begins with the key word "realism" of the comparison between the style flower and bird painting of the Song Dynasty and the contemporary fine brushwork flower and bird painting, and defines the concrete meaning of "realism" in this paper; secondly, It is divided into two parts: the similarities of "seeking truth" and the same expression methods, and then, the difference of "realism" between the two is compared and analyzed, and the ways of drawing materials, space expression and schematic vocabulary are compared and analyzed. Compare the four aspects of the title and postscript printing, find out the difference; finally, through the comparative study to reach a conclusion, This paper puts forward some thoughts on the abatement and absence of the "realism" spirit of contemporary meticulous flower-and-bird painting and its inspiration to the innovation and development of contemporary meticulous flower-and-bird painting. The author uses image analysis method, through visiting museum, library, various kinds of Chinese painting works exhibition, sifting out some representative images related to this research as the research object of this paper, and referring to the Song Dynasty painting theory, The works of flower-and-bird painting and other relevant theoretical documents find the theoretical basis for the study of the background of the flower-and-bird painting in the Song Dynasty. In addition, by using the method of comparative research, the author makes a deep comparison and induces the works of the flower-and-bird paintings of the two periods. The real value of the realistic features of the works is analyzed. Through the comparative study, it is concluded that although both the flower-and-bird painting and the contemporary meticulous flower-and-bird painting in the Song Dynasty are in the fine brushwork, they all have the commonness of "seeking for shape resemblance" and "seeking truth". However, the views obtained from the realistic features of meticulous brushwork are different. The contemporary fine brushwork flower-and-bird painting is bound to change with the development of the times. It involves not only the laws of painting the formal language, but also a manifestation of the contemporary spirit. At the same time, we should constantly reflect on the lack of "realistic" spirit in the contemporary meticulous flower-and-bird painting, and absorb and reconstruct the traditional painting language of "realism" in the style of flower and bird painting in the Song Dynasty.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J212

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