林达川绘画艺术研究

发布时间：2018-06-24 12:16

本文选题：林达川 + 留日画家　；参考：《浙江理工大学》2013年硕士论文

【摘要】：中国的在明代末期开始接受西方近代文明的挑战，这种文化交流一开始是在科学技术层面。至清末民国初年，逐步扩展到整个思想文化层面。绘画，作为中国文化形态的重要内容，同样面临种种挑战；而与往昔历史一样，中国的固有文明实际是在与不同文化形态的相互碰撞与交融中形成的，举凡魏晋玄学与宋明理学，无不如此。本文所讨论的主人公林达川即是在中国与西方文化激烈碰撞中寻找出路的一员，，笔者意在从一个个案出发，尝试讨论西方油画中中国传统画学在中西交融中的一个侧面及其转变的一些轨迹，并考察留日画家在此中的位置与价值,为我们的实践提供历史上的依据与借鉴的经验。本文以林达川的“绘画艺术”作为重点研究对象,利用材料收集和采访等方式收集、整理林达川的相关资料,围绕三个方面对林达川的绘画艺术及其相关问题展开研究。第一,从林达川所处时期的社会文化背景入手,廓清当时美术的现状,结合林达川的艺术经历,来探讨林达川绘画艺术的发生与发展;第二,以林达川绘画作品的风格流变和艺术语言、题材等多角度来分析其绘画艺术和思想观念;第三,通过林达川的绘画艺术及其思想观念来探讨其在中国近现代美术史以及中日近现代美术交流中的价值与意义。
[Abstract]:China began to accept the challenge of modern Western civilization in the late Ming Dynasty, and this kind of cultural exchange began at the level of science and technology. At the end of the Qing Dynasty and the beginning of the Republic of China, it gradually expanded to the whole ideological and cultural level. Painting, as an important part of Chinese cultural formation, also faces all kinds of challenges. As in the past, Chinese inherent civilization is actually formed in the collision and blending with different cultural forms. Wei and Jin metaphysics and Song Ming Neo-Confucianism, all this. Lin Dachuan, the protagonist discussed in this paper, is a member who is looking for a way out in the fierce collision between China and Western culture. The author intends to proceed from a case. This paper attempts to discuss a side of the Western oil painting Chinese traditional painting in the blend of China and the West and some tracks of its transformation, and to investigate the position and value of the painters studying in Japan, so as to provide us with historical basis and experience for reference in our practice. This paper takes Lindachuan's painting art as the key research object, collects the materials and interviews, collates the relevant materials of Lin Dachuan, and studies the painting art of Lin Dachuan and its related problems in three aspects. First, starting with the social and cultural background of Lin Dachuan's period, clarifying the present situation of art at that time, and combining Lin's artistic experience, to discuss the occurrence and development of Lin Dachuan's painting art; second, To analyze the art and ideas of Lindachuan painting from the perspective of its style, language and subject matter. Third, This paper discusses the value and significance of Lin Dachuan's painting art and its ideas in the history of Chinese modern art and the communication between China and Japan.
【学位授予单位】：浙江理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J213

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