“目击成长”—当代女性绘画中的个人、家庭与社会
发布时间：2018-07-22 15:14
【摘要】：现在活跃在当代中国油画舞台上的女性画家大多是出生在60年代左右，九十年代后又选择了创作以家庭生活为题材的作品她们悠然的用女性的视角解读者社会家庭个人之间的关系那么为什么这么多女画家都选择了这样的题材呢，也许各自有各自的原因，其中有记录社会变革体现社会性的，，也有单纯自传性质的85新潮还是对90年代成长起来而在海内外声名蜚起的这批女画家有着影响的，对于她们在未来的艺术创作上提供了新的视野从85新潮开始写起，旨在指出开放外部的环境对于当年的局限思维是一次艺术上的解放思想，是一次新旧碰撞产生的火花，不破不立，破而后立而在面对新鲜事物的同时也应该辩证的看待西方传来的所有思潮，有积极的，也有糟粕可以适当吸收，但仍固守自己的本源，因为最根本的东西才是最珍贵的，而不是随波逐流失去自我女性绘画在不断的找寻自我的过程中建立了出于自己的领域那就是以个人家庭为视角的记录了个体变化社会变迁的女性绘画因为女性画家们对于我有了更深刻的认识，并在绘画中将之表现出来本文主要以喻红的ǎ目击成长为例，记录以喻红为主角的这样一代人的成长，也见证了整个社会的变迁而ǎ她系列则是将目光聚焦在了形形色色的广大女性角色身上，从自我的审视到对她的观察记录，表达了每一个个体都值得关注与喻红同一时期的这些女画家们她们是当代画坛上的中流砥柱，并对她们以个人和家庭为题材的主要作品做了一个简单的分析而我们在画作是作为女儿角色成长起来的新一代受到母亲这代人的影响颇深，也开始了自己的艺术之路的探索虽然有争议，有迷茫，但是我们也在不断地成长
[Abstract]:Most of the female painters active on the contemporary Chinese oil painting stage were born in the 1960s. After the 1990s, they chose to create works based on family life, and they used a female perspective to understand the relationship between family and individuals in the reader's society. So why did so many female painters choose such subjects? Perhaps each of them has its own reasons. Among them, there are those who record social changes and reflect the social nature, as well as 85 new trends of a purely autobiographical nature, which still have an impact on these female painters who grew up in the 1990s and gained fame at home and abroad. It provides a new vision for their future artistic creation. It begins with the 85 new trends, in order to point out that an open external environment is an artistic emancipation of the mind and a spark generated by a collision between the old and the new for the limited thinking in those days. Never break, break and stand, but in the face of new things, we should also dialectically look at all the trends of thought coming from the West. There are positive ones and there are dross that can be properly absorbed, but they still cling to their origin. Because the most fundamental thing is the most precious, And instead of losing it, women's painting, in the process of constantly finding itself, has built up its own territory, which is, from the perspective of the individual family, women's paintings that record individual changes, social changes, because women's paintings. The family has a deeper understanding of me, And show it in the painting, this article mainly takes Yu Hong's eyewitness growth as an example, records the growth of such a generation with Yu Hong as the protagonist. She also witnessed the changes of society as a whole, and her series focused on a wide variety of female characters, from self-examination to the record of her observation. Expressed that each individual is worthy of attention with Yu Hong at the same time these female painters are the mainstay of the contemporary painting world, And we did a simple analysis of their major personal and family work, and the new generation that we grew up as daughters in the paintings was deeply influenced by the mother generation. Also began their own exploration of the art road, although there is controversy, there is confusion, but we are also growing up
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2
本文编号：2137873
[Abstract]:Most of the female painters active on the contemporary Chinese oil painting stage were born in the 1960s. After the 1990s, they chose to create works based on family life, and they used a female perspective to understand the relationship between family and individuals in the reader's society. So why did so many female painters choose such subjects? Perhaps each of them has its own reasons. Among them, there are those who record social changes and reflect the social nature, as well as 85 new trends of a purely autobiographical nature, which still have an impact on these female painters who grew up in the 1990s and gained fame at home and abroad. It provides a new vision for their future artistic creation. It begins with the 85 new trends, in order to point out that an open external environment is an artistic emancipation of the mind and a spark generated by a collision between the old and the new for the limited thinking in those days. Never break, break and stand, but in the face of new things, we should also dialectically look at all the trends of thought coming from the West. There are positive ones and there are dross that can be properly absorbed, but they still cling to their origin. Because the most fundamental thing is the most precious, And instead of losing it, women's painting, in the process of constantly finding itself, has built up its own territory, which is, from the perspective of the individual family, women's paintings that record individual changes, social changes, because women's paintings. The family has a deeper understanding of me, And show it in the painting, this article mainly takes Yu Hong's eyewitness growth as an example, records the growth of such a generation with Yu Hong as the protagonist. She also witnessed the changes of society as a whole, and her series focused on a wide variety of female characters, from self-examination to the record of her observation. Expressed that each individual is worthy of attention with Yu Hong at the same time these female painters are the mainstay of the contemporary painting world, And we did a simple analysis of their major personal and family work, and the new generation that we grew up as daughters in the paintings was deeply influenced by the mother generation. Also began their own exploration of the art road, although there is controversy, there is confusion, but we are also growing up
【学位授予单位】：广州大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J209.2
【参考文献】
相关期刊论文 前1条
1 陶咏白;走向自觉的女性绘画[J];美术观察;1997年03期
本文编号：2137873
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