动画创作中光线的表现手法研究
发布时间：2018-12-27 07:58
【摘要】：光线作为人类不可缺少的视觉传感手段,对动画创作起到非常重要的作用。没有光线的影片是单调的、平板的,光线能够更好地提升动画作品的美感、艺术性,传达创作者的思想情绪。由于动画既源于生活、遵循影视的传统表现手法,又有着绘画上天马行空的艺术特性,所以对待光线的把握要源于生活,又可高于生活。在创作中如何配合绘画艺术特有的表现力,如何从真实生活中的光影效果进行提炼、修缮、升华,再运用在动画领域中,这是我在文中所关注的着眼点。 全文首先在第一章中分析国内外的光线在动画中的运用现状,表明研究目的；第二章对光的定义进行解释,从西方绘画艺术、舞台戏剧、平面摄影、影视实拍中,分析光线在这些不同领域的表现形式和影响,引申到在动画中光线的特殊表现手法。 接下来在第三章中分析光线对于动画创作的影响：它能成为其中的一个重要元素,构成镜头画面中表意、画而构成甚至是组成节奏的一部分；它对于角色视觉造型的精神而貌塑造、叙事情感表达起着重要作用；它能渲染环境气氛;还能反映出动画导演的风格,影响观众的直接感受。 第四章和第五章是全文的重点部分。第四章从光线的各个要素,以及光源的运动导致的光和影的构成变化,来深入剖析光线如何在动画创作进行具体的表现。第五章进入到实践中,在前期设定中来进行光线的设定;在分镜台本里进行具体的表达,但同时也存在着绘制和成本上的限制。这些不同于电影实拍的光线实践操作,是动画艺术创作者应当思考和解决的问题。 论文通篇阐述了对光影艺术表现力和影视视觉传达的思考,通过分析不同光线形式的效果,剖析光线在动画中的具体表达手法,结合自己在二维动画创作实践中的体会,具体分析了怎样通过光影,使画面更具感染力,塑造动画角色,表现情感主题,对于动画创作中光影的表现和应用有一定参考和借鉴。
[Abstract]:As an indispensable visual sensor, light plays an important role in animation creation. Films without light are monotonous, flat, and light can better enhance the aesthetic, artistic, and convey the creators' thoughts and emotions. Because animation not only originates from life, follows the traditional expression of film and television, but also has the artistic characteristics of painting, so the grasp of light should be derived from life, and can be higher than life. How to cooperate with the unique expressive force of painting art, how to refine, repair, sublimate and apply in animation field from the real life light and shadow effect is the focus of my attention in this paper. In the first chapter, the first chapter analyzes the current situation of the application of light in animation at home and abroad, and shows the purpose of the research. The second chapter explains the definition of light, from the western painting art, stage drama, plane photography, film and television real photography, analysis of the light in these different fields of expression and influence, extending to the special expression of light in animation. Then in the third chapter, the author analyzes the influence of light on animation creation: it can become an important element, which constitutes the meaning in the lens picture, the painting and even the part of the rhythm; It plays an important role in shaping the spirit and appearance of the character visual modeling, narrative emotional expression; it can render the atmosphere of the environment; it can also reflect the style of the animation director and affect the direct feelings of the audience. The fourth and fifth chapters are the key parts of the paper. The fourth chapter analyzes how the light is represented in the animation from the light elements and the changes of the composition of the light and shadow caused by the motion of the light source. The fifth chapter enters into the practice, in the early stage setting to carry on the light setting; carries on the concrete expression in the sub-mirror table book, but also has the drawing and the cost limit at the same time. These are different from the actual lighting operation, which should be considered and solved by animation art creators. The paper expatiates on the reflection of the artistic expression of light and shadow and the visual communication of film and television. By analyzing the effects of different light forms, the paper analyzes the specific expression of light in animation, and combines with his own experience in the practice of creating two-dimensional animation. This paper analyzes how to make the picture more infectious, shape the character of animation and express the theme of emotion through light and shadow, which has certain reference and reference for the performance and application of light and shadow in animation creation.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.7
本文编号：2392742
[Abstract]:As an indispensable visual sensor, light plays an important role in animation creation. Films without light are monotonous, flat, and light can better enhance the aesthetic, artistic, and convey the creators' thoughts and emotions. Because animation not only originates from life, follows the traditional expression of film and television, but also has the artistic characteristics of painting, so the grasp of light should be derived from life, and can be higher than life. How to cooperate with the unique expressive force of painting art, how to refine, repair, sublimate and apply in animation field from the real life light and shadow effect is the focus of my attention in this paper. In the first chapter, the first chapter analyzes the current situation of the application of light in animation at home and abroad, and shows the purpose of the research. The second chapter explains the definition of light, from the western painting art, stage drama, plane photography, film and television real photography, analysis of the light in these different fields of expression and influence, extending to the special expression of light in animation. Then in the third chapter, the author analyzes the influence of light on animation creation: it can become an important element, which constitutes the meaning in the lens picture, the painting and even the part of the rhythm; It plays an important role in shaping the spirit and appearance of the character visual modeling, narrative emotional expression; it can render the atmosphere of the environment; it can also reflect the style of the animation director and affect the direct feelings of the audience. The fourth and fifth chapters are the key parts of the paper. The fourth chapter analyzes how the light is represented in the animation from the light elements and the changes of the composition of the light and shadow caused by the motion of the light source. The fifth chapter enters into the practice, in the early stage setting to carry on the light setting; carries on the concrete expression in the sub-mirror table book, but also has the drawing and the cost limit at the same time. These are different from the actual lighting operation, which should be considered and solved by animation art creators. The paper expatiates on the reflection of the artistic expression of light and shadow and the visual communication of film and television. By analyzing the effects of different light forms, the paper analyzes the specific expression of light in animation, and combines with his own experience in the practice of creating two-dimensional animation. This paper analyzes how to make the picture more infectious, shape the character of animation and express the theme of emotion through light and shadow, which has certain reference and reference for the performance and application of light and shadow in animation creation.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J218.7
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