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浙江与萧云从山水画山石结构比较研究

发布时间:2019-02-22 19:47
【摘要】:同是作为由明入清的移民画家渐江与萧云从,二者生活在相同的时代大背景下,对各自所在地域山水景貌予以不同的心灵表达。尽管二者所在地域不同,地貌有所差异,但二者在画风画貌上却有相似之处。通过查阅资料和对现存的少量画迹比较来看,二者山水画作品中的山石结构组合以及山石画法显然有异曲同工之妙,即为都擅长使用几何形石块来布置画面。 这种几何化、线条式的独创画法,可谓是中国画在发展过程中的一大创举。只是萧云从的表现手法变化略多于渐江,而渐江却将这一方法推到了一个新的高度。二者在师传统与师造化中,对自己的绘画语言形式进行了完美的诠释。 本文从分析比较二者山水画中的山石结构为发端,列举了几幅笔者认为较有代表性的作品,以求能更直观地对二者作品中的山石结构、笔墨、章法三个方面展开比较,进而对形成这种山石结构特征的原因进行分析,在分析过程中,对于二者的移民身份、心态、历史背景进行了阐述,因其对画家思想心态和画面山石结构表现方式有着重要影响并且显得必不可少。期望通过比较,来窥探萧云从的风格对渐江有无影响,他们面对自然真景所形成的不同审美观照,对其形成的独创画风给后人的启示。
[Abstract]:As the immigrant painters from Ming to Qing Dynasty and Xiao Yun, both of them lived in the same background of the times, and expressed their respective regions' landscape and landscape in different hearts and minds. The two artists lived in the same era and lived in the same background of the times. Although they are located in different regions and different landforms, they are similar in painting style and appearance. By looking up the data and comparing a small number of existing paintings, it is obvious that the combination of mountain and stone structures and the painting method of both landscape paintings are similar, that is to say, both are good at using geometric stones to arrange pictures. This kind of geometry, line-style original painting method, can be described as a great innovation in the development of Chinese painting. Only Xiao Yuncong's technique of expression changed a little more than that of Genjiang, which pushed this method to a new height. In the process of teacher tradition and teacher creation, they interpret their own painting language form perfectly. Based on the analysis and comparison of the stone structure in the two landscape paintings, this paper lists several works which the author thinks are more representative, in order to compare the rock structure, pen and ink, and Zhang method of the two works more intuitively. In the process of analysis, the immigration status, mentality and historical background of the two are expounded. It has an important influence on the painter's mentality and the structure of the picture. Through the comparison, we hope to see if Xiao Yun's style has any influence on the river. They face the different aesthetic photos formed by the natural real scenery, and enlighten the later generations by the original style of painting formed by Xiao Yun.
【学位授予单位】:安徽大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J212

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