论中国水彩画用笔的审美情趣
发布时间：2019-04-04 18:14
【摘要】：水彩画是来源于西方的画种,西方的历史文化、哲学思想、人文情感、科学技术等方面影响了水彩画的发展。在表现形式、绘画语言、用笔技法等方面都可以看到西方古典油画的影子。当它传入中国后,在中国博大精深的传统文化的土壤中汲取了丰厚的营养。因为水彩画水和水性颜料的特性,很大程度上与中国的传统绘画异曲同工,使得中国人与这种画种产生画面与心灵上的共鸣。经过这一段时期的发展,中国的水彩画家们在深谙了西方传统水彩的基础之上,将传统中国绘画中的诸多因素融入到水彩画创作中。在用笔上,更加自由洒脱,常常会显露出一种没有归纳,自由洒脱的随意性,完全随着性情和感觉表露。这种契合,体现了中国水彩画家的文化修养,表达张力,提供了它走向民族化的必然条件。 本文通过分析水彩在西方和中国所走过的道路,理清用笔的发展脉络。第二部分着重介绍中国传统绘画给发源自西方的水彩画带来的影响,尤其是在用笔技法、表现形式等方面。第三部分主要研究水彩画用笔在中国的发展,通过对比中国和西方水彩用笔、用水、用色上的差异性,引出中国水彩画用笔的独特韵味。油画、国画、版画、装饰等各类画家人才的加入,使得水彩画在用笔技法、表现语言等方面异彩纷呈,百花齐放,呈现出多元化的趋势。中国水彩画要发展,必须更深层次地挖掘水彩画自身的表现语言、用笔技法,充分发挥本体语言的优势,使之呈现了本民族的文化特质和独特语言。
[Abstract]:Watercolor painting is derived from western painting, western history and culture, philosophy, humanistic feelings, science and technology and other aspects of the development of watercolor painting. In the form of expression, painting language, pen techniques and so on, you can see the shadow of western classical oil painting. When it was introduced into China, it absorbed rich nutrients in the soil of China's vast and profound traditional culture. Because of the characteristics of watercolor painting and waterborne paint, it is similar to traditional Chinese painting to a large extent, which makes the Chinese people and this kind of painting resonate with the picture and soul. After this period of development, Chinese watercolor painters, on the basis of understanding the western traditional watercolor, incorporate many factors of traditional Chinese painting into the creation of watercolor painting. In the use of the pen, more free and easy, often will show a non-inductive, free and free, completely with the nature and feelings of expression. This fit reflects the cultural accomplishment of Chinese watercolor painters, expressing tension, and provides the inevitable conditions for nationalization of Chinese watercolor painters. This article through the analysis of watercolor in the West and China through the road, clear up the development of pen. The second part focuses on the impact of traditional Chinese painting on watercolor paintings originating from the West, especially in the aspects of pen techniques, forms of expression and so on. The third part mainly studies the development of watercolor brushes in China, by comparing Chinese and western watercolor brushes, using water, using color differences, leading to the unique charm of Chinese watercolor brushes. Oil painting, traditional Chinese painting, printmaking, decoration and other painters joined, making watercolor painting in the use of pen techniques, performance language and other aspects of colorful, blooming, showing a diversified trend. In order to develop Chinese watercolor painting, it is necessary to excavate the expression language of watercolor painting in a deeper level, use pen techniques, give full play to the advantages of Noumenon language, and make it present its own cultural characteristics and unique language.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215
本文编号：2454050
[Abstract]:Watercolor painting is derived from western painting, western history and culture, philosophy, humanistic feelings, science and technology and other aspects of the development of watercolor painting. In the form of expression, painting language, pen techniques and so on, you can see the shadow of western classical oil painting. When it was introduced into China, it absorbed rich nutrients in the soil of China's vast and profound traditional culture. Because of the characteristics of watercolor painting and waterborne paint, it is similar to traditional Chinese painting to a large extent, which makes the Chinese people and this kind of painting resonate with the picture and soul. After this period of development, Chinese watercolor painters, on the basis of understanding the western traditional watercolor, incorporate many factors of traditional Chinese painting into the creation of watercolor painting. In the use of the pen, more free and easy, often will show a non-inductive, free and free, completely with the nature and feelings of expression. This fit reflects the cultural accomplishment of Chinese watercolor painters, expressing tension, and provides the inevitable conditions for nationalization of Chinese watercolor painters. This article through the analysis of watercolor in the West and China through the road, clear up the development of pen. The second part focuses on the impact of traditional Chinese painting on watercolor paintings originating from the West, especially in the aspects of pen techniques, forms of expression and so on. The third part mainly studies the development of watercolor brushes in China, by comparing Chinese and western watercolor brushes, using water, using color differences, leading to the unique charm of Chinese watercolor brushes. Oil painting, traditional Chinese painting, printmaking, decoration and other painters joined, making watercolor painting in the use of pen techniques, performance language and other aspects of colorful, blooming, showing a diversified trend. In order to develop Chinese watercolor painting, it is necessary to excavate the expression language of watercolor painting in a deeper level, use pen techniques, give full play to the advantages of Noumenon language, and make it present its own cultural characteristics and unique language.
【学位授予单位】：天津师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J215
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