历史题材绘画作品中透视理论应用研究
发布时间：2019-05-18 12:43
【摘要】：重大历史题材的艺术创作是以历史性的题材为主要表现内容的艺术创作,是当代的艺术家在获得一定的历史距离后,重新追忆,审视历史,重塑艺术形象的主题创作,它是构建精神文明建设的重要组成部分,是国家文化建设发展战略的核心。近些年来,主题性的历史题材创作逐渐在我国开始得到了推广与重视,并先后推出了关于“重大历史题材的艺术创作工程”与“中华文明历史题材美术创作工程”。本文正是通过重大题材的创作为艺术表现对象,对话历史、时代,从而来研究绘画透视在历史题材中的应用与实际意义。目前,对于透视理论的研究已有较为丰富的研究成果,但是针对重大题材的透视研究却相对较少,缺乏系统的理论分析与实例借鉴,本文正是在当前的形式下,梳理绘画理论与透视应用的基本关系,以重大历史题材绘画为切入点,结合中西方历史题材绘画的特点与发展历程,研究透视理论发生发展的基本规律、以及透视理论在实际中的技法应用,分别从三部分来阐述这一主题。第一章研究相关的现状与存在的问题;第二章阐述透视理论的研究与体现;第三章结合重大历史题材与全景画实际举例分析透视理论。本文通过全面的实例分析,系统的阐述透视理论的实际应用与价值,在当今的历史背景下,直观形象的来论述,中西方文化差异下不同绘画形式对于民族发展的影响和文化发展的历史意义,从而实现整个国家民族的化建设的飞速发展。
[Abstract]:The artistic creation of the major historical theme is the artistic creation with the historical theme as the main expression content, and it is the theme creation of the contemporary artist who recollects, examines the history and reshapes the artistic image after obtaining a certain historical distance. It is an important part of the construction of spiritual civilization and the core of the development strategy of national cultural construction. In recent years, thematic historical theme creation has gradually been popularized and valued in our country, and has launched "artistic creation project of major historical theme" and "Chinese civilization historical theme art creation project" one after another. This paper studies the application and practical significance of painting perspective in historical themes through the creation of major themes as the object of artistic expression, dialogue history and times. At present, there are abundant research results on perspective theory, but there are relatively few perspective studies on major themes, and there is a lack of systematic theoretical analysis and examples for reference. This paper is precisely in the current form. Combing the basic relationship between painting theory and perspective application, taking major historical theme painting as the starting point, combined with the characteristics and development process of Chinese and Western historical theme painting, this paper studies the basic laws of the occurrence and development of perspective theory. And the application of perspective theory in practice, respectively, from three parts to explain this theme. The first chapter studies the current situation and existing problems; the second chapter expounds the research and embodiment of perspective theory; the third chapter analyzes the perspective theory with major historical themes and panoramic painting examples. Through a comprehensive example analysis, this paper systematically expounds the practical application and value of perspective theory, and discusses intuitively and vividly under the historical background today. The influence of different painting forms on national development and the historical significance of cultural development under the cultural differences between China and the West, so as to realize the rapid development of the national construction of the whole country.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J206.2
本文编号：2480013
[Abstract]:The artistic creation of the major historical theme is the artistic creation with the historical theme as the main expression content, and it is the theme creation of the contemporary artist who recollects, examines the history and reshapes the artistic image after obtaining a certain historical distance. It is an important part of the construction of spiritual civilization and the core of the development strategy of national cultural construction. In recent years, thematic historical theme creation has gradually been popularized and valued in our country, and has launched "artistic creation project of major historical theme" and "Chinese civilization historical theme art creation project" one after another. This paper studies the application and practical significance of painting perspective in historical themes through the creation of major themes as the object of artistic expression, dialogue history and times. At present, there are abundant research results on perspective theory, but there are relatively few perspective studies on major themes, and there is a lack of systematic theoretical analysis and examples for reference. This paper is precisely in the current form. Combing the basic relationship between painting theory and perspective application, taking major historical theme painting as the starting point, combined with the characteristics and development process of Chinese and Western historical theme painting, this paper studies the basic laws of the occurrence and development of perspective theory. And the application of perspective theory in practice, respectively, from three parts to explain this theme. The first chapter studies the current situation and existing problems; the second chapter expounds the research and embodiment of perspective theory; the third chapter analyzes the perspective theory with major historical themes and panoramic painting examples. Through a comprehensive example analysis, this paper systematically expounds the practical application and value of perspective theory, and discusses intuitively and vividly under the historical background today. The influence of different painting forms on national development and the historical significance of cultural development under the cultural differences between China and the West, so as to realize the rapid development of the national construction of the whole country.
【学位授予单位】：鲁迅美术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J206.2
【参考文献】
相关期刊论文 前2条
1 宋惠民;李福来;晏阳;李武;刘竟艳;徐声;;全景画:波澜壮阔的恢宏画卷[J];中国美术;2013年01期
2 迟连城;论全景画[J];苏州城市建设环境保护学院学报(社科版);2002年03期
，本文编号：2480013
本文链接：https://www.wllwen.com/wenyilunwen/huihuayishu/2480013.html
