当前位置:主页 > 文艺论文 > 绘画论文 >

纵横恣肆—石鲁笔墨技法研究

发布时间:2019-05-29 23:46
【摘要】:笔墨形态在中国画发展过程中作为其表情达意重要媒介,是中国画意境表现重要组成部分,承载着中国艺术的精神,纵横恣肆的笔墨形态在整个绘画史发展过程中对于用笔用墨寻求独特的绘画笔墨形态,具有狂怪求理,古拙,简,纵,恣,奇,崛等特点。有别于另一种“淡雅”笔墨追求,这种笔墨形态主导下,笔墨追寻“气”、“新情新意”的一种绘画精神,这种笔墨精神与中国艺术精神,传统哲学思想有很大的关联,其笔墨形态下传达是一种的艺术生命精神。纵横恣肆的笔墨形态与传统画学思想中“逸品”,“骨法用笔”,“气韵生动”,“形神”有很大的关联,这种笔墨形态是中国画写意精神的表现形式,是中国文人画所倡导笔墨精神,注重“意趣表达”,充分调动创作者主观意趣,以大泼墨,大写意的绘画笔墨形式进行绘画创作,以笔墨为媒介来传达一种自然天地万物生命运动精神,最具笔墨内涵的是一种创新精神,打破常规,追寻“艺贵独创”,传达“新情新意”的一种绘画精神。石鲁先生正是在寻求狂怪求理,将个人情感寄托于笔墨,面向生活,注重绘画审美感受,以自己独特的视角反映时代精神,本文以石鲁为例,进行分析论述其绘画笔墨内涵以及影响,分析其笔墨风格形成的原因,探寻其笔墨图式之新,思考对于当代绘画笔墨形式的表现价值及意义。 第一部分主要围绕课题研究理论意义实践意义进行论述,研究内容,拟解决问题,研究现状,对于部分文章和专著研究状况进行论述。 第二部分对于纵横恣肆的笔墨精神寻根溯源,从思想哲学渊源,以及在中国画学精神中延伸,从“气”以及“用笔”、“形神”、“性灵”等进行论述。 第三部分,对于石鲁绘画笔墨形态进行分析,从他的山水画笔墨形态中分析认识,以及情感体验和性情对其笔墨发挥的影响,进行剖析。 第四部分,主要从石鲁绘画美学思想以及他绘画笔墨纵横恣肆的成因,进行尽可能详细论述,重点论述石涛对于石鲁的影响。 第五部分,从石鲁纵横恣肆绘画笔墨形态对于长安画派画家的影响,以及这种绘画笔墨对于当代绘画创作启示和价值。 结语中对于整个纵横恣肆笔墨形态,及石鲁笔墨形态进行分析总结,论证这种笔墨形态学术价值以及对于中国画发展意义。
[Abstract]:As an important medium of expression and meaning in the process of the development of Chinese painting, pen and ink form is an important part of the expression of artistic conception of Chinese painting and carries the spirit of Chinese art. In the whole process of the development of painting history, the form of pen and ink has the characteristics of crazy seeking reason, ancient clumsy, simple, vertical, wild, strange and so on. Different from another kind of "elegant" pen and ink pursuit, under the guidance of this kind of pen and ink form, pen and ink pursue a kind of painting spirit of "gas" and "new feeling and new idea". This kind of pen and ink spirit is closely related to Chinese artistic spirit and traditional philosophy. Its pen and ink form to convey is a kind of artistic life spirit. The form of pen and ink is closely related to "Yi Pin", "bone method pen", "vivid charm" and "form spirit" in the traditional painting thought. This kind of pen and ink form is the expression form of freehand brushwork spirit in Chinese painting. It is the spirit of pen and ink advocated by Chinese literati painting, paying attention to "expression of interest", fully mobilizing the subjective interest of creators, and carrying out painting creation in the form of great ink splashing and freehand brushwork. Take pen and ink as the medium to convey a kind of natural heaven and earth life movement spirit, the most has the pen ink connotation is a kind of innovative spirit, breaks the routine, pursues "the art precious original creation", conveys the "new feeling new idea" a kind of painting spirit. Mr. Shi Lu is looking for crazy reasoning, pinning his personal feelings on pen and ink, facing life, paying attention to the aesthetic feeling of painting, and reflecting the spirit of the times from his own unique perspective. This paper takes Shi Lu as an example. This paper analyzes and discusses the connotation and influence of his painting pen and ink, analyzes the reasons for the formation of his pen and ink style, explores the new pen and ink schema, and thinks about the expression value and significance of the contemporary painting pen and ink form. The first part mainly discusses the theoretical significance of the research, the research content, the problem to be solved, the research status, and discusses the research status of some articles and monographs. The second part discusses the origin of the spirit of writing and ink, from the origin of ideology and philosophy, as well as from the spirit of Chinese painting, from "Qi", "with pen", "form spirit", "spirit of nature" and so on. The third part analyzes Shi Lu's painting pen and ink form, analyzes the understanding from his landscape painting pen and ink form, as well as the influence of emotional experience and temperament on his pen and ink. The fourth part, mainly from Shi Lu's painting aesthetics thought and his painting pen and ink vertical and horizontal wanton causes, carries on the detailed discussion as much as possible, focuses on Shi Tao's influence on Shi Lu. The fifth part, from Shi Lu vertical and horizontal wanton painting pen and ink form to Changan painting school painter's influence, as well as this kind of painting pen and ink to the contemporary painting creation enlightenment and the value. In the conclusion, this paper analyzes and summarizes the whole vertical and horizontal ink form, and Shi Lu's pen and ink form, and demonstrates the academic value of this pen and ink form and its significance for the development of Chinese painting.
【学位授予单位】:陕西师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J205

【参考文献】

相关期刊论文 前10条

1 王朝闻;新意新情——西安美协中国画研究室习作展座谈会纪录[J];美术;1961年06期

2 周韶华;大风吹宇宙——石鲁书画全集序[J];美术;1985年05期

3 王非;论长安画派[J];美术观察;2002年01期

4 李鸿照;赵振川;;从束鹿赵望云到长安画派——赵振川谈赵望云[J];美术观察;2006年02期

5 水天中;石鲁绘画艺术讨论会[J];美术;1980年08期

6 石果;;石鲁论艺的“话语”历程[J];荣宝斋;2008年01期

7 令狐彪;;“艺术的道路就在于探索”——试论石鲁国画创新道路[J];社会科学战线;1980年03期

8 李世南;;谈中国绘画中的“笔墨表现主义”[J];中国书画;2003年08期

9 刘曦林;;中国画的传统与现代[J];文艺评论;2008年01期

10 郎绍君;;二十世纪的中国画研究[J];文艺研究;1996年01期



本文编号:2488324

资料下载
论文发表

本文链接:https://www.wllwen.com/wenyilunwen/huihuayishu/2488324.html


Copyright(c)文论论文网All Rights Reserved | 网站地图 |

版权申明:资料由用户d0650***提供,本站仅收录摘要或目录,作者需要删除请E-mail邮箱bigeng88@qq.com