微观世界中的视觉隐喻
发布时间：2019-06-01 08:49
【摘要】：本文将着重阐述人们在观察客观现实事物时，对于事物本身和本质的深入研究，这种研究不仅是对客观事物的微观形态的研究，更多的是用一个画家的眼睛去捕捉微观世界中的具象事物所传达出的感性美，并以画家自身的感性赋予其新的含义，即“微观世界中的视觉隐喻”。视觉的隐喻，包含着图像与符号带给人们心理的隐喻与视觉冲击，同时带给人们不同的心理感受。同印象派一样，换个角度观察事物和理解事物，赋予事物新的个人感受，新的表现形式和含义，，赋予不同的心理和视觉上崭新的面貌。“微观世界中的视觉隐喻”就是在客观事物中摸索出新的象征性含义，还原一个或者说是再创造一个与客观现实更为具象和更为感性的表现形式，这种表现形式脱离了人眼所能看到的局限性，用画家的眼睛和手，由客观理性变为主观感性，在画面上所传达画家自身的心理感受。
[Abstract]:This paper will focus on the in-depth study of things themselves and nature when people observe objective realistic things, which is not only the study of the microcosmic form of objective things. More is to use the eyes of a painter to capture the perceptual beauty conveyed by the concrete things in the microcosmic world, and to give it a new meaning with the painter's own sensibility, that is, "visual metaphor in the microcosmic world". Visual metaphor contains the psychological metaphor and visual impact of images and symbols, and brings people different psychological feelings at the same time. Like impressionists, we should observe and understand things from a different angle, give them new personal feelings, new forms and meanings, and give different psychological and visual new features. "Visual metaphor in the microcosmic world" is to find out a new symbolic meaning in objective things and restore one or another to create a more concrete and perceptual form of expression with objective reality. This form of expression is divorced from the limitations that the human eye can see, using the painter's eyes and hands, from objective rationality to subjective sensibility, and conveys the painter's own psychological feelings on the screen.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
本文编号：2490144
[Abstract]:This paper will focus on the in-depth study of things themselves and nature when people observe objective realistic things, which is not only the study of the microcosmic form of objective things. More is to use the eyes of a painter to capture the perceptual beauty conveyed by the concrete things in the microcosmic world, and to give it a new meaning with the painter's own sensibility, that is, "visual metaphor in the microcosmic world". Visual metaphor contains the psychological metaphor and visual impact of images and symbols, and brings people different psychological feelings at the same time. Like impressionists, we should observe and understand things from a different angle, give them new personal feelings, new forms and meanings, and give different psychological and visual new features. "Visual metaphor in the microcosmic world" is to find out a new symbolic meaning in objective things and restore one or another to create a more concrete and perceptual form of expression with objective reality. This form of expression is divorced from the limitations that the human eye can see, using the painter's eyes and hands, from objective rationality to subjective sensibility, and conveys the painter's own psychological feelings on the screen.
【学位授予单位】：吉林艺术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J205
【共引文献】
相关期刊论文 前3条
1 王文杰;余小荔;;论交流空间与建筑设计[J];安徽文学(下半月);2009年10期
2 张晓雯;;论艺术符号的情感意象性[J];美与时代;2008年03期
3 曹莹;;论构建设计艺术学科学生的文史哲基础[J];中国成人教育;2008年17期
相关硕士学位论文 前2条
1 饶建华;当代“流行书风”现象下的非书法因素研究[D];西南大学;2008年
2 王子苒;对妥木斯绘画创作题材的思考与研究[D];吉林艺术学院;2013年
本文编号：2490144
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