马克思主义美学视野下的“日常生活审美化”

发布时间：2018-01-26 04:32

本文关键词： 日常生活审美化崇高人的本质力量自由审美民主　出处：《徐州师范大学学报(哲学社会科学版)》2012年04期 　论文类型：期刊论文

【摘要】：在马克思主义美学看来,美的生产是"真正的生产",美是人的本质力量实现自身的诉求和见证,是人的自由、自觉的类特性的体现。"审美化时代"只是"美"的"秀"场,崇高的缺失使美感只停留于快感,所谓的"快乐"只是满足于感性形式,缺乏深度和理性反思的艺术和美,并不符合人的本质力量的实现所要求的全面和丰富性的要求。消费着的大众在看似自由的审美幻象中没有获得真正的"审美民主",一个被商业资本所精心设计的"增殖计划"主宰着大众的消费和审美,主体在对象中的"遮蔽",反映出的是这种审美文化中"专制"和"返魅"的强大力量,而不是人的自由、自觉的本质力量的真正确证。
[Abstract]:In the view of Marxist aesthetics, the production of beauty is "real production", and beauty is the demand and witness of the realization of human's essential power and the freedom of human beings. "Aesthetic era" is only the "show" field of "beauty", the lack of sublime makes the aesthetic sense only stay in pleasure, and the so-called "happiness" is only satisfied with the form of sensibility. Lack of depth and rational reflection of art and beauty. It does not accord with the requirement of comprehensiveness and richness required by the realization of human essential power. The consuming masses have not obtained the true "aesthetic democracy" in the seemingly free aesthetic illusion. A "multiplication plan" carefully designed by commercial capital dominates the consumption and aesthetics of the masses, and the "shelter" of the subject in the object reflects the powerful power of "autocracy" and "reenchantment" in this aesthetic culture. Not the freedom of man, the true confirmation of the essential power of consciousness.
【作者单位】：江苏大学教师教育学院;
【基金】：教育部规划基金项目“马克思主义一元本质规定与多样存在形态及其关系研究”(项目编号:10YJA720023)阶段性成果
【分类号】：B83-09
【正文快照】： 日新月异的电子技术、无孔不入的媒介传播、铺天盖地的图像渲染,使我们的面前充满目不暇接的奇幻光影和美妙声色,为这一切所浸淫的我们的生活,以超乎想象和认知能力的速度,迅速打破了传统的生活与艺术的界限,人们不无惊奇地发现,似乎就在一夜之间,我们这些凡夫俗子就已经轻松

【共引文献】