感性与理性的变奏——论西方审美主义思想的衍变

发布时间：2018-02-15 19:10

本文关键词： 审美主义理性主义启蒙理性审美主体日常生活审美化　出处：《厦门大学学报(哲学社会科学版)》2010年05期 　论文类型：期刊论文

【摘要】：审美主义作为一种回归内在、维护感性生存方式的思潮,产生于与理性主义的紧张对峙中。这种理性主义的表现形式分别是17-18世纪的基督教理性和启蒙理性。正是在这种二元对立的张力中,审美主义对理性主义进行了持续的反抗,由此将自身推向了历史舞台的中央。当审美主义在20世纪确立了自身主体地位时,日常生活审美化成为审美主义的主要形式。
[Abstract]:Aestheticism, as a trend of thought that returns to the inside and preserves the perceptual way of existence, Arising from the tense confrontation with rationalism, the manifestation of this rationalism is the Christian rationality and the enlightening reason of the 17-18 century respectively. It is in this tension of duality that the aestheticism continues to resist rationalism. This pushed itself to the center of the historical stage. When aestheticism established its main position in 20th century, the aestheticization of daily life became the main form of aestheticism.
【作者单位】：厦门大学中文系;
【分类号】：B83-0

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