论张玉能的新实践美学观

发布时间：2018-03-25 03:05

本文选题：新实践美学　切入点：话语实践　出处：《广西师范大学学报(哲学社会科学版)》2008年03期

【摘要】：张玉能新实践美学把实践分为"物质生产"、"精神生产"和"话语实践"三个部分,突出物质生产的中心和基础地位。他认为物质生产制约着精神生产和话语实践。审美活动就是在它们之中超越出来的。他重视实践对感觉的价值,重视实践作为思维的根源和标准,并从人的角度、实践的角度超越了费尔巴哈式的直观性,对自由问题尤其重视,强调实践的自由性。在蒋孔阳教授的影响下,他认为实践是一个多层累、开放的概念,至少包含三个层累:物质交换层、意识作用层和价值评估层。这三个层累又分别包涵着自己的内在系统。美和审美是动态的。审美本身是人类的一种超越方式,因而是超越二元对立的。他提出从价值维度来发展实践美学,并特别强调了精神价值,主张实践美学与后现代美学是同步发展的。
[Abstract]:Zhang Yuneng's new practical aesthetics divides practice into three parts: "material production", "spiritual production" and "discourse practice". He thinks that material production restricts spiritual production and discourse practice. Aesthetic activities transcend them. He attaches importance to the value of practice to feeling. Attaching importance to practice as the source and standard of thinking, and from a human point of view, the perspective of practice goes beyond Feuerbach's intuitiveness, pays particular attention to the issue of freedom, and emphasizes the freedom of practice. Under the influence of Professor Jiang Kongyang, He believes that practice is a multi-tiered, open-minded concept that consists of at least three layers: the material exchange layer. Conscious function and value evaluation. These three layers are each containing their own internal system. Beauty and aesthetics are dynamic. Aesthetics itself is a way of human transcendence. He put forward the development of practical aesthetics from the value dimension, and especially emphasized the spiritual value, and advocated that the practical aesthetics and post-modern aesthetics develop simultaneously.
【作者单位】：华东师范大学中文系;
【分类号】：B83-0

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