论体验:一个美学概念在中西汇通中的生成

发布时间：2018-03-30 07:29

本文选题：体验　切入点：自明性　出处：《复旦学报(社会科学版)》2017年03期

【摘要】：在当代美学中,"体验"一词有多重含义,它首先是指生命化的个人感受,这种感受可以通过共鸣而获得普遍性,也指具有自明性的经验认识。"体验"一词还包括了"真知"这层含义,体验是意识的意向性构成和意义统一体的建构过程,是真知的开始。体验作为一种认识方式,它的基本机制是海德格尔所说的"在之中"的领会,而这种领会是经验认识的开始,同时体验也是以身体图式对外部世界的直接感知。"体验"在具体的审美与艺术创作活动中会形成独特的"审美体验",审美体验是建立在纯粹直观之上的,对对象的审美区分,包含了想象力的自由和情感的发生。在中国文化的语境中,体验还包含着认知过程中的情感发生、生命活动中的感知,以及想象力的自由等内涵。当代美学与文艺学中的体验概念,实际上是中西方的多种思想传统在语言的汇通中产生的,是文化融合的结果。
[Abstract]:In contemporary aesthetics, the word "experience" means, first of all, the personal feeling of life, which can be universal through resonance. The term "experience" also includes the meaning of "true knowledge". Experience is the construction process of the intentionality of consciousness and the unity of meaning, and it is the beginning of true knowledge. Its basic mechanism is Heidegger's understanding of what Heidegger calls "in the middle," which is the beginning of empirical understanding. At the same time, the experience is also the direct perception of the external world with the body schema. "experience" will form a unique "aesthetic experience" in the specific aesthetic and artistic creation activities. The aesthetic experience is based on pure intuition and the aesthetic distinction of the object. It contains the freedom of imagination and the occurrence of emotion. In the context of Chinese culture, experience also involves the occurrence of emotion in the process of cognition, the perception of life activities, The concept of experience in contemporary aesthetics and literature and art is in fact the result of the fusion of culture and the convergence of language between Chinese and western ideological traditions.
【作者单位】：上海师范大学人文与传播学院;
【基金】：上海市教委“高峰高原建设计划(哲学)”的阶段性成果
【分类号】：B83-0

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