审美共通感的公共诉求:寻求现代中国美学的心性秩序

发布时间：2018-04-29 10:09

本文选题：审美共通感 + 公共性　；参考：《东南学术》2017年02期

【摘要】："审美共通感的公共诉求"从心性-秩序的交融层面切入现代中国美学史与政治学史相结合的现代性研究,是继"启蒙""革命"等专题研究之后的深化。论题反观现代中国美学史中"共同体"转型之后的主体概念,提炼文化统合中的审美范型-符码,追诉现代中国的感通心性,以作为回应程序宪政学的"合理化"(公域)困境和主体间原子化(私域)弊端的理据。论题立基"孔子"等观念单元的数据统计,提取"尊孔-倒孔"的符码演变,以表征主体心性秩序的公共转型;"公议"的小说以诗艺行动展现"公性情"并现出革命符码制作技术的限度;"典型"的公共行动论着力分疏"典型"符码与国家秩序间的张力,希冀以德性/政治"行动"的"典型"学来超拔诗艺的"性格"论;公共艺术从心性的感通层面塑造或表征社会治理的公信秩序。学案中呈现的"摩罗诗力"、孔子符码、典型等审美范型是主体获致公共的美学创生;同时也存在总体性意识形态规训、利用审美共通感的社会面相:现代中国美学的公共性处于"政艺合一"的诉求或"政-艺分离"的反思当中。
[Abstract]:"the public appeal of aesthetic common sense" cuts into the modern Chinese aesthetic history and political science history from the angle of the blending of mind and order, which is the deepening after the special research of "enlightenment" and "revolution". The thesis reviews the concept of the subject after the transformation of "Community" in the history of modern Chinese aesthetics, refines the aesthetic paradigm-code in cultural integration, and sues the sense of empathy in modern China. It is used as a basis for responding to the "rationalization" (public domain) dilemma of procedural constitutionalism and atomization between subjects (private domain). The thesis is based on the data statistics of the concept units such as Confucius, and extracts the code evolution of "respecting holes-inverted holes". In order to represent the public transformation of the subjective mental order, the novels of "public discussion" show "public temperament" with poetic action and show the limits of revolutionary code making technology; the "typical" theory of public action tries to distinguish the tension between "typical" code and national order, and "typical" theory of public action focuses on distinguishing the tension between "typical" code and national order. It is hoped that the "typical" learning of virtue / political "action" can be used to transcend the theory of "character" of poetic art, and that public art can mold or represent the order of public trust in social governance from the aspect of sense and communication of mind. The "Moro poetic force" presented in the study case, Confucius code, typical aesthetic norms and so on, is the subject of public aesthetic creation, but also there are general ideological discipline, Using the social aspect of aesthetic common sense: the publicity of modern Chinese aesthetics lies in the pursuit of "integration of politics and art" or the reflection of "separation of politics and art".
【作者单位】：陕西师范大学政治经济学院哲学博士后流动站;
【基金】：国家社会科学基金青年项目“审美共通感的公共哲学意义研究”(项目编号:14CZX054) 陕西师范大学博士后科研启动基金项目
【分类号】：B83-0

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