论中国现代美学与儒家心性之学的内在联系

发布时间：2018-04-30 01:22

本文选题：中国现代美学 + 心性之学　；参考：《文学评论》2015年04期

【摘要】：中国现代美学偏重审美和艺术的功能价值,重视美育,倡导人生艺术化,具有"国民性改造"的强烈本土问题意识。这种思想并不源自对欧洲美学的接受,而是来自对传统儒学特别是儒家心性之学的传承。宋明心学讲求价值优先,注重个人道德人格的养成,把去除私欲作为恢复良知的关键环节。这些思维方式和价值定位成为王国维、蔡元培、梁启超和朱光潜等美学大家选择美学、重视美育、强调审美无利害性功能的传统思想资源。中国现代美学与传统儒家心性之学之间存在着明显的历史连续性,以"审美功利主义"为主要特征的中国现代美学可被称为"心性美学",而这种美学的创立反过来确立了"中国古代美学"的现代学理基础,甚至意味着整个"中国美学"的确立。"心性美学"的价值定位、思维方法以及本土问题意识,对当今中国美学研究具有重要的借鉴意义。
[Abstract]:Chinese modern aesthetics emphasizes aesthetic and artistic function value, attaches great importance to aesthetic education, advocates the art of life, and has a strong sense of local problems with "national transformation". This idea does not originate from the acceptance of European aesthetics, but derives from the inheritance of traditional Confucianism, especially the Confucian School of heart. The cultivation of moral personality takes the removal of selfish desire as a key link in restoring conscience. These ways of thinking and value orientation have become the traditional ideological resources of Wang Guowei, Cai Yuanpei, Liang Qichao and Zhu Guangqian, who choose aesthetics, attach importance to aesthetic education and emphasize the aesthetic non profit function. In the obvious historical continuity, Chinese modern aesthetics with "aesthetic utilitarianism" as the main feature can be called "heart aesthetics", which in turn establishes the modern theoretical basis of "Chinese ancient aesthetics", even the establishment of the whole "Chinese Aesthetics", the value orientation of "heart aesthetics", the thinking method and the original. The awareness of soil problems is of great significance to the study of contemporary Chinese aesthetics.

【作者单位】：杭州师范大学艺术教育研究院;
【基金】：国家社科基金项目“中国现代审美功利主义思想与儒家心性文化传统关系研究”(项目号:12BZW016)的阶段性成果
【分类号】：B83-0;B222

【共引文献】