中国古代身体美学的蕴涵与特征

发布时间：2018-04-30 09:51

本文选题：身体美学 + 意识美学　；参考：《河北学刊》2010年02期

【摘要】：与西方传统"唯识主义"的"意识美学"不同,中国古代美学是一种"唯身主义"的"身体美学"。这一身体美学意蕴既体现在中国古代的文学艺术是一种以身为喻的生命象征活动,又体现在男女两性的原发生命对话机制之中。而这一对话机制不仅反映在对虚实相间、动静相生等艺术形式美的追求,而且体现在对"中和之美"和"因感生情"艺术主题的反映,同时还体现在以身体的族类化而在文学艺术中以有限体现无限、以特殊反映一般从而达到对生命不朽的形上慰藉。从身体角度还原中国古典美学,可以发现其殊异于西方传统美学的另一番气象。
[Abstract]:Different from western traditional "consciousness aesthetics", ancient Chinese aesthetics is a kind of "body aesthetics". This body aesthetic implication is embodied not only in the ancient Chinese literature and art, but also in the mechanism of the original life dialogue between men and women. This dialogue mechanism is reflected not only in the pursuit of artistic formal beauty, such as the difference between the void and the real, the dynamic and the dynamic, but also in the reflection of the artistic themes of "the beauty of neutralization" and "the feeling of feeling". At the same time, it is embodied in the humanization of the body and the limitless embodiment in literature and art, and in the special reflection in general so as to achieve the spiritual consolation to the immortality of life. To restore Chinese classical aesthetics from the perspective of body, we can find that it is different from traditional western aesthetics.
【作者单位】：西安交通大学人文社会科学学院;
【分类号】：B834

【共引文献】