关于“实践存在论”美学及其论争

发布时间：2018-05-06 20:09

本文选题：“实践存在论”美学 + 特征　；参考：《上海大学学报(社会科学版)》2010年03期

【摘要】："实践存在论"美学是我国当代美学研究中出现的一类观点。其基本特点是:人的存在在其理论中具有突出的优先地位,"一般的人"和"人的一般本性"是其重要理论基础之一。马克思主义的实践范畴被明显泛化,审美主客体之间的认识关系被体验关系所排斥和否定。其实质在于:以主体性排斥物质性,这是我国20世纪70年代末以来个体主体性理论思潮的延续和向美学、文艺学学科纵深的渗透;以抽象化排斥具体化,这是一个时期以来资本积累逻辑在我国社会生活一定范围内的不断发展和浸润,在美学、文艺学领域所引发的一个必然结果;以感性体验排斥本质认识,这是20世纪90年代以来,由于西方后现代主义观念影响的日益强化,在我国审美或文艺领域出现的反本质、反理性的解构思潮的一种体现。
[Abstract]:Practical existentialism aesthetics is a kind of view in contemporary aesthetic research of our country. Its basic characteristics are: the existence of human beings has a prominent priority in its theory, and "general man" and "human general nature" are one of its important theoretical bases. The practice category of Marxism is obviously generalized, and the cognitive relation between aesthetic subject and object is rejected and denied by experience relation. The essence of the theory lies in: the rejection of materiality by subjectivity, which is the continuation of the theory of individual subjectivity in China since the late 1970s and its penetration into aesthetics and literature and art disciplines, and the concretization of exclusion by abstractions. This is an inevitable result of the continuous development and infiltration of the logic of capital accumulation in a certain range of social life in our country since a period of time, and an inevitable result in the field of aesthetics and literature and art. This is a reflection of the anti-essence and anti-rational deconstruction trend in the field of aesthetics or literature and art in China because of the increasing influence of western postmodernism since the 1990s.
【作者单位】：中华人民共和国教育部高等学校社会科学发展研究中心;
【分类号】：B83

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