中西文化张力下的王国维美学

发布时间：2018-05-15 07:11

本文选题：王国维 + 叔本华　；参考：《江海学刊》1998年04期

【摘要】：科学意义的中国美学是王国维在本世纪初中西文化交融的大潮中初建的，，他一方面大量接受德国古典美学的影响，一方面又从传统思维出发对其作了改造与重构。通过对王国维美学中自律的文艺观、超越的审美观和“古雅”的审美范畴三个层面的分析，可以清楚地发现，中西文化不同的现实取向和理论传统产生的张力，既助成了王国维美学的思想成就，又导致了其中的悖谬和潜在危机。因此，王国维美学虽已自成体系，却呈现出断层的结构。从这一形态入手，可以恰切地评价其在中国美学史上的建树及地位
[Abstract]:Chinese aesthetics of scientific significance was first built by Wang Guowei in the tide of blending Chinese and western cultures at the beginning of this century. On the one hand, he accepted the influence of German classical aesthetics in large quantities, on the other hand, he reformed and reconstructed it from the perspective of traditional thinking. Through the analysis of the self-discipline view of literature and art in Wang Guowei aesthetics, the transcendent aesthetics and the aesthetic category of "quaint", we can clearly find that the different realistic orientation of Chinese and Western culture and the tension of theoretical tradition. It not only contributes to the ideological achievement of Wang Guowei aesthetics, but also leads to the paradox and potential crisis. Therefore, although Wang Guowei aesthetics has its own system, it presents the structure of fault. From this form, we can evaluate its achievements and status in the history of Chinese aesthetics.
【作者单位】：华东师范大学中文系
【分类号】：B83-09

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