晚清民初美学学科的肇始、成因及其对当下美学课程的影响

发布时间：2018-06-07 12:27

本文选题：美学 + 学科　；参考：《社会科学战线》2014年10期

【摘要】：美学,并不是中国古已有之的学术,也不是中国近现代独立发生、发展起来的学科及课程。晚清民初,美学随着西学东渐的潮流进入中国,经王国维、梁启超、蔡元培、朱光潜等先驱的大力推介及本土化革新,才逐渐成为一门独立的学科和课程。美学学科和美学课程之所以不早不晚,恰恰在晚清民初这一历史节点和社会变革关键期肇始并迅速发展起来,根本原因在于其符合了中国近现代奋发图强、谋求独立的历史潮流和现实需要。中国美学学科肇始于晚清民初这样一个社会动荡、民族危难的历史时期,决定了它的历史定位和本土化特点,这对中国当下美学课程建设依然有着深刻的影响。
[Abstract]:Aesthetics is not an ancient Chinese academic, nor a subject and curriculum developed independently of modern China. In the late Qing Dynasty and the early Republic of China, aesthetics came into China along with the trend of western-learning to the east. Only through the vigorous introduction and localization innovation of pioneers such as Wang Guowei, Liang Qichao, Cai Yuanpei and Zhu Guangqian, did aesthetics gradually become an independent subject and curriculum. The reason why aesthetics and aesthetic courses are not too late is that they began and developed rapidly in the historical node of the late Qing Dynasty and the beginning of the Republic of China and the key period of social change. The fundamental reason lies in the fact that they are in line with the modern and modern Chinese struggle to make great efforts. The historical trend and realistic need of seeking independence. The subject of Chinese aesthetics began in the late Qing Dynasty and the early Republic of China, a period of social turbulence and national distress, which determines its historical orientation and localization, which still has a profound impact on the construction of Chinese current aesthetic curriculum.
【作者单位】：东北师范大学传媒科学学院;东北师范大学纪律检查委员会;
【基金】：吉林省社会科学基金项目(2013B71)
【分类号】：B83-092

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