“人诗意地栖居”:论审美向生活世界的回归

发布时间：2018-06-21 05:32

本文选题：生活世界 + 美的本原　；参考：《江海学刊》2010年05期

【摘要】："向生活世界回归"是当代审美的大趋势。这一趋势反映于现象层面,显现为艺术活动领域内"美的消解"和日常生活领域中"美的泛化";反映于观念层面,亦有主张审美与生活经验相结合、倡导"环境美学"以及鼓吹人的"审美化生存"等不同的取向。"审美回归生活世界"与时下流行的"日常生活审美化"之说,既有联系,也有区别。后者属"审美回归"的重要表现,而由于其孳生于消费社会与消费主义文化的土壤中,有着明显的商业化运作与传媒控制的背景,又常会给"审美回归"带来某种程度的"异化",需要加以警惕。审美向生活世界的回归,具有多方面的重大意义。它拓展了审美活动的领域,改变了审美活动的方式,而最根本的乃在于凸显了美的本原,对审美与生活世界的关系给出了正确的答案,进而为审美化人生的构建创造着前提,且预示着人类文明的一种新型态的到来。
[Abstract]:The trend of "returning to the living world" is a trend of contemporary aesthetics. This trend is reflected in the phenomenal level, manifesting as "the disappearance of beauty" in the field of art activities and the "beauty of beauty" in the field of daily life; reflected in the conceptual level, it also advocates the combination of aesthetic and life experience, advocating "environmental aesthetics" and advocating the "aesthetic survival of people", and so on. The "aesthetic return to life world" and the popular "daily life aestheticization" are both related and different. The latter is an important manifestation of "aesthetic return", and because it is born in the soil of consumer society and consumerism culture, it has a clear background of commercial operation and media control, and often gives "aesthetic return". To bring some degree of "alienation", we need to be vigilant. The return of aesthetics to the life world is of great significance. It expands the field of aesthetic activities and changes the way of aesthetic activities. The most fundamental is to highlight the origin of beauty and give the correct answer to the relationship between the aesthetic and the life world, and then to the aestheticization. The construction of life creates a precondition and foreshadowed the arrival of a new state of human civilization.
【作者单位】：上海社会科学院文学研究所;
【分类号】：B83

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