“美的原因”再思考

发布时间：2018-06-23 17:02

  本文选题：美的根源 + 主体的适性　； 参考：《社会科学》2016年02期

【摘要】：美是有价值的乐感对象。美的原因最终必须到乐感里去寻找。使客观事物成为"乐感对象"或"美"的根源是"适性"。对象适性为美,分主体的适性与客体的适性。主体的适性之美指对象因适合主体之性而被主体感受为美,包括客体适合主体物种本性、习俗个性或功用目的,客体与主体同构共感,人化自然走向物我合一,主客体双向交流达到心物冥合等诸种表现形态。客体的适性之美指客观对象适合自身的物种本性而被主体视为美。它只为洞悉人与万物相互依赖、相反相成关系的人类而存在。承认客体的适性之美,要求破除人类中心主义审美传统,走向物物有美、美美与共的生态美学,同时让主张物种天性自然伸张的自然美学、生命美学汇入生态美学大潮。
[Abstract]:Beauty is a valuable object of music. The cause of beauty must ultimately be found in the sense of music. The root of making objective things "objects of music" or "beauty" is suitability. The adaptability of objects is beauty, which is divided into the suitability of the subject and the suitability of the object. The beauty of the suitability of the subject refers to the beauty of the object being felt by the subject because it is suitable for the subject, including the object suitable for the nature of the subject species, the custom personality or the purpose of function, the synaesthesia between the object and the subject, and the humanization of nature towards the unity of things. The two-way communication between the subject and the object has reached various forms of expression, such as the combination of the mind and the object. The beauty of the suitability of the object refers to the fact that the objective object suits its own species nature and is regarded as the beauty by the subject. It exists only for the understanding that man and all things depend on each other, opposite and complementary to each other. To recognize the beauty of the suitability of the object requires breaking down the aesthetic tradition of anthropocentrism, moving towards the ecological aesthetics in which things are beautiful and beauty is in common, and at the same time allowing the natural aesthetics which advocates the nature of species to expand naturally, and the aesthetics of life to merge into the tide of ecological aesthetics.
【作者单位】： 上海政法学院研究院;北京师范大学文艺学研究中心;
【基金】：国家社科基金后期资助项目“乐感美学”(项目编号:14FZW004)的阶段性成果
【分类号】：B83-0
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本文编号：2057787