审美历史演化中的身体境遇——试论身体美学何以成立

发布时间：2018-12-07 20:25

【摘要】：随着美学从“类神学”到“精神哲学”、“心理学”直至“艺术生理学”、“审美经验现象学”的历史演化过程,身体从传统美学视野里理念、精神的附庸成为自身拥有独立价值,并且肉体与心理或灵魂深度交融的“未被撕碎的身心统一体”。作为审美客体,随着对身体耻感的剥离,人类基于身体自我欣赏的自恋得到正名;作为审美体验者,身体从形而上美学谱系中精神往下流溢、理念获得分享的“美的末端”,被理解成审美体验活动的“第一入口”;作为审美创造者,身体也走出了传统美学中的缺席状态,身体的活力被视为审美创造的“第一推动力”,创造者的“身体状态”同时也被视为“情感状态”、“心理状态”。心理学美学、生命美学、现象学美学、存在主义美学等对于美学思维路径的开拓,极大程度上改善了身体的境遇,并且为身体美学的成立奠定了理论基础。
[Abstract]:With the historical evolution of aesthetics from "quasi-theology" to "spiritual philosophy", "psychology" to "art physiology" and "phenomenology of aesthetic experience", the body is in the view of traditional aesthetics. The appendage of the spirit becomes an untorn unity of mind and body which has its own independent value and is deeply intermingled with the body and the mind or soul. As an aesthetic object, with the exfoliation of body shame, human narcissism based on body self-appreciation gets a correct name. As the aesthetic experience, the body flows down from the metaphysical aesthetic pedigree, and the "end of beauty", which is shared by the idea, is understood as the "first entrance" of the aesthetic experience. As the aesthetic creators, the body has also gone out of the absence state in the traditional aesthetics. The vitality of the body is regarded as the "first driving force" of aesthetic creation, and the "body state" of the creator is also regarded as the "emotional state" and the "psychological state" at the same time. Psychological aesthetics, life aesthetics, phenomenological aesthetics and existentialist aesthetics have greatly improved the circumstances of the body and laid a theoretical foundation for the establishment of body aesthetics.
【作者单位】：武汉大学哲学学院武汉大学哲学学院
【分类号】：B83-05

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