在断层和废墟上重构中国美学大厦

发布时间：2019-04-04 13:37

【摘要】：在中国现代美学史上,宗白华先生是一位开拓者。他的开拓意义集中地体现在以独特的研究方法,成功地梳理和重新建构了中国美学中艺境、美感等等美学思想体系,开拓出中国古典美学转换发展的新空间。他的美学思想已经成为中国美学的宝贵财富,成就其美学思想的研究方法也理应受到人们的重视。本文意在通过对宗先生美学的梳理,探悉其研究方法形成的背景、具体体现和其感性风格以及对当代美学发展的启示。首先,时代的责任感、民族学术的危机感促使宗先生形成了志在以中国古典美学为根基建构中华现代美学的理想,中西美学差距的现状又使得宗先生采取了吸纳西方美学的理性成果的方式来促进中国古典美学的转换和发展。当然,美学建构理想的最终实现在很大程度上得益于宗先生中西融会的学养、诗性和理性的综合能力。正是在这样的社会和学术背景下,宗先生形成了自己独特的研究方式方法:以中国古典美学为根基,以西方美学为参照,将西方美学的理性成果内化在对中国古典美学的梳理和研究之中,促进中国古典美学的现代转换进程。其次、宗先生的美学思想成就充分地体现了其研究方法的价值和意义,本文就其哲学和美学中的几个具体的问题来探悉宗先生美学研究方法的具体表现。在哲学中,宗先生一方面积极介绍西方哲学思想,丰富中国美学的形而上根据,另一方面,努力从中国哲学中挖掘中国美学的根源,为中国美学建构坚实的哲学根基。在美学中,宗先生借鉴西方思辩的方式极力梳理中国古典感性美学的思想,重新建构中华美学的艺境、美感、美的本体等等具体思想体系,突出中华美学生命个性精神。其三、宗先生的美学研究方式方法是理性的、潜在的,其价值不易被人们发现,但其感性的风格——散步美学的风格却显在地体现了他的研究方法的价值和意义。本文就散步风格形成的原因来探悉它和研究方法之间的内在联系,就散步风格的特征和意义来探悉研究方法的独特性和价值。其四、美学实践证明,宗先生为中国美学研究提供了一个经典范例,其研究方法是独特的,也是合理的。在中西文化再度大融和的当代,这种研究方法因为其突出的合理性,为中国当代美学的发展在很多方面提供了启示。
[Abstract]:In the history of modern Chinese aesthetics, Mr. Zong Baihua is a pioneer. His pioneering significance is embodied in his unique research method, which successfully combs and reconstructs the aesthetic thought system of Chinese aesthetics, such as artistic environment, aesthetic feeling and so on, and opens up a new space for the transformation and development of Chinese classical aesthetics. His aesthetic thought has become the precious wealth of Chinese aesthetics, and the research method of his aesthetic thought should be paid attention to. The purpose of this paper is to probe into the background of the formation of his research methods, his perceptual style and the enlightenment to the development of contemporary aesthetics by combing his aesthetics. First of all, the sense of responsibility of the times and the sense of crisis in national learning prompted Mr. Zong to form the ideal of building modern Chinese aesthetics on the basis of Chinese classical aesthetics. The present situation of the gap between Chinese and western aesthetics makes Mr Zong adopt the way of absorbing the rational achievements of western aesthetics to promote the transformation and development of Chinese classical aesthetics. Of course, the ultimate realization of the ideal of aesthetic construction is greatly benefited from the combination of Chinese and Western learning, poetic and rational comprehensive ability. It is under such a social and academic background that Mr. Zong has formed his own unique research methods: based on Chinese classical aesthetics and taking western aesthetics as reference. The rational achievement of western aesthetics is internalized in the carding and research of Chinese classical aesthetics to promote the modern transformation process of Chinese classical aesthetics. Secondly, the achievements of Mr. Zong's aesthetic thoughts fully reflect the value and significance of his research methods. This paper probes into the concrete manifestations of Mr. Zong's aesthetic research methods on the basis of several specific problems in his philosophy and aesthetics. In philosophy, Mr. Zong, on the one hand, actively introduces the western philosophical thought, enriches the metaphysical basis of Chinese aesthetics, on the other hand, tries hard to excavate the root of Chinese aesthetics from Chinese philosophy, and constructs a solid philosophical foundation for Chinese aesthetics. In aesthetics, Mr. Zong tries his best to comb the Chinese classical perceptual aesthetics by drawing lessons from the western way of thinking, and reconstructs the concrete thought system of Chinese aesthetics, such as artistic environment, aesthetic feeling, beauty ontology and so on, so as to highlight the life individuality spirit of Chinese aesthetics. Thirdly, Mr. Zong's aesthetic research method is rational, potential, and its value is not easy to be found, but his perceptual style-walking aesthetics style clearly reflects the value and significance of his research method. This paper explores the internal relationship between walking style and research methods, and explores the uniqueness and value of walking style on the basis of its characteristics and significance. Fourthly, aesthetic practice proves that Mr. Zong has provided a classic example for the study of Chinese aesthetics, and his research method is unique and reasonable. In the contemporary era where Chinese and Western cultures are once more harmonious, this research method, because of its outstanding rationality, provides inspiration for the development of Chinese contemporary aesthetics in many aspects.
【学位授予单位】：安徽大学
【学位级别】：硕士
【学位授予年份】：2005
【分类号】：B83-092

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