视频游戏音乐发展的阶段性探析

发布时间：2018-01-29 00:41

本文关键词： 视频游戏音乐音乐产业产业链　出处：《江西财经大学》2009年硕士论文　论文类型：学位论文

【摘要】： 本文系统阐述了视频游戏音乐发展的过程、走向、特点及其高速发展的原因。文章认为:声音效果科学技术的发展、作曲家进入游戏音乐领域后的巨大作用以及游戏受众的心理变化是视频游戏音乐发展的动因。 1948-1979年是沉默的初级游戏阶段,在这个阶段的早期,游戏主机就是早期的计算机,由于计算机体积庞大,需要巨大的容纳空间,故游戏无法普及;硬件成本过高,不会将宝贵的资源放在游戏音乐上;没有开发出优秀的声音承载硬件即电子硬件的限制而造成游戏机声音静默。这个阶段没有视频游戏音乐的概念。由于科技的飞速发展,作曲家的进入和受众审美情趣的不断变化,1980-1986年游戏音乐摆脱了沉默。这个阶段,游戏机从单声道发展到多声道、多音频格式,使游戏作曲家可以使用编程手段用交响乐创作的手法进行游戏音乐的创作,也为样本存储提供了更巨大的空间,并且允许样本的暂时存储甚至是立体声音乐的回放。音乐是我们日常生活中不可缺少的,音乐配上游戏更是能够最大限度地放松人们紧张的神经,游戏音乐将人、时间、空间全部汇集在一个综合的语言系统当中。作为受众,在游戏过程中发生了心理变化:消极被动→自己做主的积极主动→互动,这种体验感受是游戏娱乐的精髓,是游戏音乐发展的原因之一。同时由于游戏音乐本身在游戏娱乐当中充当了互动媒介语言,所以文章对游戏音乐如何作为游戏互动媒介当中的音频语言发挥作用进行了一定的分析。 1987-1994年游戏音乐伴随着流行音乐(含摇滚、New Age、爵士乐、POP和采用民曲调的一些乡村音乐)的高速发展有了更长足的进步。游戏音乐随着这种发展,其内部也有了分类,形成以BGM、游戏主题曲、游戏动态音效共同构成的体系。音乐的多种形式在这种体系中并存。这些音乐体裁、手段等可以构成我们对游戏音乐进行审美研究的元素,通过对游戏音乐的研究,进而进入游戏音乐经济的研究,再延伸到游戏音乐和游戏产业发展的研究。 1990年后游戏音乐的发展进入了高级阶段——游戏音乐产业链阶段。游戏音乐产业链的构成包括游戏音乐的取材来源、游戏音乐所需要的歌手、游戏音乐的录制、游戏创作人才的培养、游戏音乐产品的销售等多方面协调。这一系列要素从产业文化的角度来看就是一个从产业上游到产业下游的完整产业价值链。文章提出了产业价值链的发展思路和方向。文章在对游戏音乐发展阶段性的研究中,注意到游戏音乐的具体创作过程,试图了解游戏音乐创作者的企图,以及游戏音乐创作者在学习过程中的课程、在音乐制作过程中的具体分工、在游戏中如何体会游戏精神等诸多方面;力图深挖其他产业与游戏音乐产业之间的内部联系,了解其他产业是在哪些具体的内容上影响游戏音乐、游戏音乐产业的,力求探寻游戏音乐产业发展的科学规律。文章结论: 一、游戏音乐的发展史是科技进步的发展史。只有在硬件科技上发展起来,做出独特的科技创新,为我们自己的游戏产业提供硬件支持,中国的游戏才能有自己的平台,中国的游戏音乐的设计才会有生根、发芽、开花、结果的土壤。二、游戏音乐是为游戏服务的,寻找适合中国游戏音乐发展的特有元素,提升游戏音乐的质量,就能提高游戏的感染力,满足我国游戏受众的审美需求,使游戏得到更快的发展,更好地服务于人类。三、我们的音乐需要多元化的方式,才能适应各种环境,通过电影、电视、游戏等媒介传达给世界。四、我国游戏音乐的发展需要将我们国内的游戏文化系统真正的形成集群效应,产生价值链效果。
[Abstract]:This paper expounds the process of video game music development trend, characteristics and reasons of rapid development. The development of sound effect of science and technology, psychological changes after entering the game music composer effects and game audience is the cause of video game music development.
1948-1979 years is the initial stage of the game early silent, at this stage of the game, the host is the early computer, because the computer needs to accommodate large volume, huge space, so the game can not be universal; the hardware cost is too high, will not be a valuable resource in the game music; not developed good sound bearing electronic hardware the hardware constraints caused by the game sound silence. This stage has no concept of video game music.
Due to the rapid development of science and technology, changing the composer and the audience into the aesthetic taste of music, game 1980-1986 years to get rid of the silence. At this stage, the game from the single channel to multi-channel, multi audio format, the game composer can use programming tools created with the technique of orchestral game music creation, but also provides a huge space for the sample storage, temporary storage and allow samples or even stereo music playback. Music is indispensable in our daily life, music game is able to maximize people relax nerves, the game music, time and space all together in a complex language system as the audience, psychological changes occurring in the course of the game: active, passive and interactive themselves, this experience is the essence of drama and entertainment Tour It is one of the reasons for the development of game music. At the same time, as game music itself acts as an interactive media language in game entertainment, this article analyzes the function of game music as the interactive language in the interactive language.
1987-1994 years of game music with pop music (including rock, jazz, New Age, POP and the people tune some country music) the rapid development of a more substantial progress. With the development of game music, also has its internal classification, formed by BGM, the game theme, the game is composed of dynamic sound system. Various forms exist in this system. The music genre, means we can constitute the aesthetic study of the game music elements, through the study of game music, and then into the research of game music economy, and then extended to the study of game music and game industry development.
In 1990 after the development of game music entered the advanced stage of game music industry chain. A game music industry chain including sources of game music, the game music singer, game music recording, cultivating creative talents of the game, the game music product sales and other aspects of a series of elements from this coordination. The Perspective of cultural industry is an industry from upstream to downstream industries complete industrial value chain. The paper proposes the development ideas and direction of industrial value chain.
Based on the research and development stage of game music, pay attention to the specific process of game music creation, trying to understand to game music creators, and game creators in the music curriculum in the learning process, the specific division of labor in the music production process, how to understand the game spirit and other aspects in the game; trying to ferret out other the game industry and the music industry's internal relations, other industries influence game music in the specific content of the game, the music industry, and strive to explore the scientific rules of game music industry.
The conclusion is as follows:
A history of the development of the game, music is the history of the development of science and technology progress. Only developed in hardware technology, make technology innovation unique, to provide hardware support for the game industry of our own, China game to have their own platform, design Chinese music of the game will have rooting, germination, flowering, results the soil.
Two, game music is for game services, looking for the specific elements that are suitable for the development of Chinese game music. Improving the quality of game music can improve the appeal of the game, meet the aesthetic needs of our game audience, make the game develop faster and serve the human kind better.
Three, our music needs a variety of ways to adapt to various environments and communicate to the world through films, TV, games, and other media.
Four, the development of game music in our country requires the real cluster effect of our domestic game culture system and the effect of value chain.

【学位授予单位】：江西财经大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：J617.9

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