斯克里亚宾《钢琴奏鸣曲》奏鸣曲式调性布局的特征

发布时间：2018-01-29 01:04

本文关键词： 斯克里亚宾奏鸣曲式调性布局　出处：《乐府新声(沈阳音乐学院学报)》2013年01期 　论文类型：期刊论文

【摘要】：本文将视野集中于斯克里亚宾所创作的钢琴奏鸣曲这一体裁。着意于讨论在斯克里亚宾的钢琴奏鸣曲创作中奏鸣曲式调性布局的新特点。本文总共分为绪论、两个章节及结语四个部分。绪论中简要阐述了斯克里亚宾生平、创作概况以及斯克里亚宾钢琴奏鸣曲体裁变化、奏鸣曲式结构变化的大致线索,可从中一览这位个性独特的作曲家生活及创作成长的历程。第一章简要回顾斯克里亚宾早期三首钢琴奏鸣曲的结构特点及其中奏鸣曲式乐章的调性布局特征。重点研究了第二钢琴奏鸣曲两个乐章的奏鸣原则的体现及整体调性布局的特征。第二章分若干方面讨论了斯克里亚宾晚期钢琴奏鸣曲中奏鸣曲式调性附和的逻辑及实施方法。由于斯克里亚宾在中晚期创作中削弱了功能和声与大小调体系,转而发展出"神秘和弦"的音高组织方式,因此,在奏鸣曲式调性布局的逻辑上与传统形式有了很大差别。
[Abstract]:This paper focuses on the genre of Piano Sonata by Scriabin, and discusses the new features of the tone layout of Sonata in Scriabin's Piano Sonata. Two chapters and four parts of the conclusion. The introduction briefly expounds the life of Scriabin, the general situation of his creation, the changes in the genre of Scriabin's piano sonatas and the basic clues of the changes in the structure of the sonatas. The first chapter briefly reviews the structural characteristics of Scriabin's early three piano sonatas and the characteristics of the tone distribution of the middle sonatas. This paper studies the principle of playing the two movements of the second piano sonata and the characteristics of the overall tonal arrangement. Chapter two discusses the logic of the tonality of sonata form in Scriabin's late piano sonata and the logic of the tonality of the sonata in the latter stage of Scriabin's piano sonatas. Implementation method. Because Scriabin weakened the system of functional harmony and major minor in the middle and late period of writing. Instead of developing the pitch organization of the mysterious chord, the logic of the tone layout of the sonata is very different from that of the traditional form.
【作者单位】：中国音乐学院;
【分类号】：J624.1
【正文快照】： 斯克里亚宾作为19世纪末至20世纪初最为重要的作曲家之一,创作范围涵盖了自古典主义至浪漫主义时期的大部分体裁。交响曲、前奏曲、音诗、练习曲、玛祖卡、奏鸣曲等均是其创作中的深耕领域,并取得了丰硕的成果。他的十首钢琴奏鸣曲创作过程历经20年,在一定程度上反映了他的整

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